The Writer: Watching Nature Operate

NOTE: I wrote this blog in 2015, four years ago, but the similar conditions this spring—unusual rains—prompted me to slip back into this memory, still relevant. So far in 2019, our heaviest rains were in May, though this essay speaks of heavy rains in June. And just as in 2015, thistles are everywhere. I must also note that we now only have one elderly Westie, Toby; Cosmo died in February. Toby, mostly deaf, no longer has any enthusiasm for catching voles, though he still trots a few steps after rabbits. And several times lately, when we see the redwing blackbirds chasing a bigger bird, it has been a vulture!


The Writer: Watching Nature Operate

All there is to thinking is seeing something noticeable which makes you see something you weren’t noticing which makes you see something that isn’t visible.

–Norman Maclean, A River Runs Through It

Walking the dogs, we noticed that a tall cedar tree planted in 1981 has been girdled, probably by voles chomping under the snow last winter, or rabbits in spring.

No, I didn’t mean “moles,” the mouse-like critters often blamed for damage they don’t do.

A mole’s diet is carnivorous; they eat worms, grubs and adult insects, not plants. The plant-killing culprits are voles, those mostly herbivorous rodents which feed on grasses, herbaceous plants, bulbs and tubers, as well as the bark and roots of trees. They also make extensive tunnels and pathways through tall grass—and the moles may run along them, causing part of this confusion.

Nature - Westies huntingI cursed and threatened revenge on the voles, but found no way acceptable to me. I don’t want to use poison, since it would kill more than the voles, so our best anti-vole devices are the two West Highland White Terriers. Unfortunately, they are more excitable than efficient, so they only catch one or two voles a week out of the thousands—or millions—living and tunneling under our feet.

A girdled tree is a dead tree. I said, “What can we do?”

Jerry said with a shrug, “Let Nature take her course.”

That phrase stuck in my mind, causing me to pay particular attention throughout spring and summer to the ways in which Nature takes her course around the ranch. An important part of a writer’s job is observation, so I often noted in my journals how Nature behaved in ways I might otherwise have overlooked.

One day, for example, Cosmo emerged from the windbreak walking carefully, with his mouth half-open. Concerned that he might be hurt, I rushed over to him. He looked up at me, and then lowered his chin and gently set a baby robin on the grass. The bird was unhurt, and not quite fully fledged. Probably it had been practicing flying and fell to earth. Overhead, a pair of robins screeched and fluttered, and the baby in my hands cheeped and struggled. We soon spotted a nest in the doomed tree that the voles or rabbits had girdled. Instead of putting the bird back on the ground, I climbed the tree and tucked it into the nest. I’d interfered with nature. The next day there was no sign of the parent pair or the young one, so we don’t know how the story ended. A lot of baby robins must land in the grass while they practice, and yet we seem to have plenty of the birds, so some must survive.  And we’ll leave the condemned tree standing as long as we can, to shelter more nests.

Nature - Red Winged Blackbird 2014June brought heavy rains and flooding along the usually dry gullies. The redwinged blackbirds nest in groups along watercourses, weaving grasses and moss into a tight bowl tied to the surrounding cattails or willow bushes. Each nest is lined with mud, and may be as high as 14 feet above the water—or as low as three inches. I worried that the nests and chicks had been drowned, but didn’t want to slog into the deep mud and piles of debris to search. After a few days, the redwings seemed as busy as ever, but I didn’t know if they were feeding survivors or building new nests.

After each rain, clumps of thistles began to sprout and bloom everywhere in the pastures and around the yards, from seeds brought in by the flood. We don’t want to poison unwanted weeds, but we don’t want thistles spreading, either, so Jerry hooked his mulching mower behind the tractor and started chopping. He was finishing a patch near the corrals when a duck flew out of the tangle of weeds almost in front of the tractor tire. He drove away and then cautiously explored on foot until he found the nest: eggs tucked deep among the stems of sturdy amaranth and thistles. He steered wide around that patch, leaving the weeds tall. My lessee turned cattle into the small pasture. Grazing the grass shorter now cuts down on the danger of fire from the weeds as they dry in the fall. Also, some of these weeds are only attractive forage for cattle when they are young and green; if they’re too dry the cows won’t eat them.

One day we got two inches of rain in about an hour, and the gully streams of water and debris swept through the nest area. For three days the muddy mess trickled through the corrals. We didn’t want to disturb the duck if she’d survived, but we were afraid the eggs had been washed away. From our dining room windows, we could watch the cows tromping and grazing close to the nest location, so we decided the duck must be gone.

“I’ll show you where the nest was,” Jerry said, as we drove past one day. He parked well away from it and we walked carefully but neither of us could find it.

“Gone,” we concluded. As I reached for the pickup’s door handle, the duck squawked and flapped up beside me, inches from a back tire. There was the nest, intact. Jerry backed the pickup away very carefully.

Nature - cattle did not trample duck nest

One day my lessee came on his four-wheeler and his son brought a pickup and 40-foot trailer. They unloaded twenty or thirty head of cattle and drove them through the duck’s neighborhood into an adjoining pasture. Then they rounded up the remaining cows and chased them through the gate beside the duck’s nest. Watching from our house, holding our breath, we both expected the duck to fly up out of the stampede, but saw nothing.

Surely this time she was gone.

The next day, we ventured into the area again. We tiptoed close, and saw the duck secure on her nest, bright eyes watching us. Nature’s choice was taking care of that duck.

What does the duck have to do with writing?

She had determination, for one thing. She did not quit when the equivalents of tsunami, earthquakes and floods roared over her.  She hunkered down and stayed with her job, hatching those eggs.

Nature - Duck Family 2014--7-28

Writers need to be just as determined—not necessarily to succeed, or to get rich, but to keep writing. My routine of observation was reminding to notice more about the nature around me than the familiar ranch scenes of calves, grass growing, and fences falling down. If I’d concentrated on the things I usually noticed, I’d have missed a great deal that I might write about. Few writers can predict in advance what scrutiny might be useful.

During the summer, several generations of baby rabbits discovered that the tires my father piled around the windbreak trees he planted in his yard make wonderful hiding places. About the time they get out on their own to forage, the bunnies discover that they can stroll into a tire as if it were a burrow to be sheltered from the snow, rain and wind. Knowing this, we try to keep our dogs away from the tires.

Our Westie Cosmo forgets many of the things we’ve tried to teach him, but he either remembers or rediscovers the bunnies’ hiding places every year. Inevitably, we’ll get absorbed in a conversation and then hear excited yips and discover the dogs have a rabbit caught inside the tire.

Nature - Rabbit on porch 2018Both dogs will shove their heads inside a tire, and then move toward each other, trapping the rabbit between them. Eventually one of them is able to bite the rabbit, which squeals and excites the other dog into biting whatever he can reach. By the time we hear the shrieks, the dogs are yanking on the rabbit from opposite directions and we’re too late to save it. Nature’s policy in this case is cruel, so one of us finishes killing the bunny.

Despite the dogs’ enthusiasm for rabbit hunting, rabbits regularly hop up one or two steps toward our deck, apparently to look over the surrounding territory. Similarly, by mid-summer, I was able to look over a list of a half-dozen examples of Nature’s strategies.

Several times we saw a familiar sight: a hawk flying up from a gully, pursued by a pair of red-winged blackbirds. When hawks prey on the nests, the redwing parents defend their territory by flying above the hawk and diving down to peck at its head as it dodges and screams. As the hawk moves down the valley, pair after pair of birds rise up from their neighborhoods and take over the defense, until the hawk is driven away.

Nature - Heron flying away 2014But one day, when I heard the familiar commotion of blackbird calls, I looked up to see that the bird fleeing from them was a Great Blue Heron! The bird’s ponderous wings scooped air and its neck was folded back, but its size didn’t seem to deter the little birds who darted at it again and again until it disappeared.

Both hawk and heron far outweigh red-winged blackbirds, and have killing beaks or talons, but nature gave the blackbirds courage and agility, so they can fight predation, or take revenge in driving the predators away. Thinking like a writer, I noted that the biggest and most powerful does not always win the contest—a lesson with broad implications.

Walking the dogs one day, I was reminded that some ranch work requires paying close enough attention to impede Nature’s actions. We try to bring the cattle home from summer pasture before the first blizzard; we move cattle out of a pasture if the water is getting so low they might become bogged down if they walk too far into a dam to cool their hides. So it was that I noticed again how my father had used rocks. Driving through the pastures, or watching cattle eat, he’d pry rocks out of the pasture trails and bring them home to put around the foundation of buildings in corrals and pastures. He did this because cattle like to rub their itchy pelts on buildings, and numerous cows scratching will chisel away the soil around the foundations with their hoofs. By placing the rocks, he made the footing hard and uneven, thus thwarting their intentions and averting the damage. They could still scratch on one of the thousand fence posts around the pasture; it’s unlikely that enough cows would scratch on the same post to wear the soil away around it.

Looking more closely at the arrangement of rocks, I realized that he had to spread them a considerable distance from the foundation, because the cows would stand outside the rocks and l-e-e-e-a-n forward to scratch. My father was determined, and eventually the rocks extended so far the cattle couldn’t reach the building.

On a summer day, we discovered the nest of a killdeer very close to a low-growing juniper bush where the rabbits regularly hide. Every day the dogs dive into the shrubbery, barking as they clamber under and over branches, until the rabbits burst out of hiding and gallop down the hill—usually while the dogs are looking somewhere else. Every day we’d see a killdeer cheeping and running away from the area. Finally we saw the shallow nest with four eggs close to these bushes, where we must nearly have stepped on it several times. We finally realized that each time one of the nesting birds saw us coming, it would skitter a few feet away. After we’d seen the nest, we carefully avoided it.

Nature - Kildeer nest in grass 2014

One afternoon of pounding rain and hail, I looked often out the kitchen window, sure that the bird on the nest could not possibly survive. When the sun came out and I tiptoed out to look, she was there, drenched but alive, furnishing another lesson about writing: persistence. Like the duck, the killdeer knew her job and she stuck with it.

And that’s what writers do. When we start taking notes, the rest of the job should be automatic: we are writers, we observe and therefore we write. A little experiences teaches us that writing things down helps our sometimes faulty memories.

A metaphor: when we set out on a journey, we may have a map that shows us our ultimate destination, but no map can show the deer that leaps onto the highway ahead of us. We take notes to remember the deer we didn’t predict.

Observation helps us create the habit of seeing more clearly; watching our world closely lets us see the material that supplies our writing.

We take notes so as to keep what we have seen available in our minds, to study what we have written, to think about it, relate it to other facts, and eventually to a conclusion that can be written about.

Kathleen Norris told me about a monk in North Dakota who said to her:

“When I don’t write, I quit looking,
I quit seeing. When I look and see,
then I have to write.”

Nature - Linda observing and recording

Linda, watching at Windbreak House.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2019, Linda M. Hasselstrom

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Late Harvest

Harvest - Linda with green beans 2018--9-2Recently I’ve spent part of each warm afternoon harvesting from my tiny garden: two L-shaped beds about 12 feet long and three feet wide, plus three free-standing pots.

Oregano, culinary sage, basil, thyme and rosemary are all drying in the back of the basement on my homemade food dryer. The heat source is four 60 watt light bulbs, and the temperature this evening is 80 degrees. I also picked tomatoes, which I cooked into several pints of spaghetti sauce. I froze several Harvest - tomatoes 2018--9-2packages of green beans, and tucked dill leaves and sorrel into a plastic bag in the refrigerator for salads. I arranged a bouquet of marigolds on the dining table, and left a bucket of green tomatoes for a friend’s chickens by the back door. I gave a little water to the clematis and woodbine vines alongside the concrete wall, knowing they will soon brighten the gray expanse with twining red leaves.

Since my harvest is essentially over, I rolled up the plastic tarps I used to cover everything last night, but I tucked a couple of old blankets around the oregano and pepper plants, hoping they will survive the frost that’s predicted. Then I gathered seeds: marigold, gaillardia, cone flower. I rolled up the hoses left drying in the sun a few days ago, and hung them in the garage.

Harvest - Linda with onions and potatoes 2016--8-31Sometimes I recall nostalgically the great harvests I did in the old days, when I used the big garden that lies east of the ranch house, now a retreat house. I froze and canned pounds of tomatoes, beans, peas; dug potatoes and lugged them to the cellar with shelves full of onions. Picked and shucked and froze ears of corn by the dozens. Helped cut up the steer we butchered after he broke his leg trying to jump the fence. Cut and wrapped and labeled the meat and tucked it into the big freezer in the basement. And eventually had so much harvest that we had to buy a second, smaller freezer. I know ranch wives– younger than I am and with larger families– who have four or five freezers in their basements.

When I went to town for groceries in those days, I might buy sugar, flour, and a few other staples, but much of what we ate came from our own land. I loved living like that. But I’m 75 years old, and aware that even if I stay healthy, my remaining life span is probably fewer than 20 years. What do I want to accomplish with the time I have left?

Conscious of my waning life, I am a member of the local Cemetery Board, and recently spent a couple of days cleaning and tidying on that hillside for winter. I wasn’t able to set up any of the stones that have fallen from age and neglect, or been pushed over by vandals. But I swept grass and dirt off flat headstones, and scrubbed away layers of dirt from lettering in white marble, still visible after a hundred years. Deep in the unmown grass, even in late fall, I found a few roses and bluebells blooming.

cemetery rabbit pays respects 2017--5-28

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If you are looking at snow outside your window as I am, you may be wondering how I was able to spend the day harvesting from my little garden in December.

I wasn’t. I wrote those words in late September and the printed copy has been standing beside my typewriter since then. Every single day I have intended to get back to this writing. Today is December 4; that ferocious intent just didn’t count for enough against the tide of other tasks that overwhelmed me. In many cases, rather than attending to my primary job of writing, I was responding to requests from people who shouldn’t have a strong enough hold on me to keep me from my work.

I am admitting this delay in part to encourage writers who may lament their inability to sustain their writing habit day after day after day. I can’t always do it, and I am experienced, determined, and have a supportive partner. So don’t waste time beating yourself up; get busy writing when you can.

Like many of you, I was raised to be “nice,” which means that when people write and ask me questions or send me something interesting, I try to respond, even if only by postcard. I’m always guiltily aware if I do not respond, and remember the series of vicious letters– more than 50– sent to me a few years ago by a fan whom I had displeased.

So here I am, with the December darkness filling my windows, writing about September’s harvest. The tomato vines I pulled and piled by my row of buffaloberry and chokecherry bushes are doing just what I wanted them to do: catch snow.

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Harvest - Grouse by fencepost 2015--5-11And suddenly the room brightens with memory. Just this morning I wrote about how the moisture falling– sleet, not yet snow– was brightening the grasses to their September brilliance: redgrass was turning purple, dried alfalfa was glowing gold, and marigold heads seemed to be warm with fire; little bluestem looked magenta in the sunrise, and the splayed tawny heads of switch grass glittered. When we walked in our windbreak trees, we saw coyote scat and tufts of rabbit fur: those howls last night were celebrating a successful hunt.

As we walked out of the trees’ shelter, a rough-legged hawk we’ve been seeing often soared overhead, then dropped a few feet lower and made a circle over Cosmo, who was nosing among the taller grass beside the trail. The hawk turned its head, perhaps estimating weight, apparently concluded that the 28-pound dog was a little too much prey, and swooped off toward the pigeons fluttering at the barn.

Harvest - garden and greenhouse ecosystem 2018--7-29The prairie feeds our predators well. A few weeks ago we saw one of the resident kestrels or merlins– they fly so fast it’s hard to tell– zip past with a mouse in its talons. Two harrier hawks hung around the dam below the house for several days. One morning I looked out the bedroom window and one of them was perched on a broken bale of hay, with 11 antelope lying in a half-circle around it, like churchgoers listening to a sermon. The great-horned owl couple seems to have moved away from our trees toward a grove of cottonwoods and a shed that shelters more rabbits. We saw a flock of about 25 grouse often in September and October, but lately we are seeing only two or three at a time. Late one night, we heard geese honking, perhaps stopping by the pond for a rest as they headed south.

Our tiny garden doesn’t provide a great deal of nourishment, though I froze many pints of tomato sauce. But it adds flavor to our lives: all those herbs that were drying in September are now in labeled jars. Pots of basil, oregano, thyme and chives line a south window, jostled by the dogs that likes to sleep there too. We are nourished by the flavor and scent of these herbs all year long.

Harvest - Tree Swallow in yard 2018--7-29Our house stands on a windy hill, with a detached two-car garage a few feet south. The two buildings, plus the deck on the house’s south side, form a tiny ecosystem where we can grow herbs, tomatoes, peas, hot peppers, and a few other tasty treats in raised beds. Jerry built the beds of railroad ties we scavenged from the grass along the track where train crews tossed them when they were removed from the railroad bed. Heavily creosoted, they withstand the weather very well. We stacked them two high and filled the resulting rectangles with heavy earth from my former garden plot, enriched by the yearly floods and years of application of manure from the corrals.

But the garden isn’t just for us alone. Besides feeding us, it feeds a busy population of tree swallows, a garter snake, a bull snake that gives us heart palpitations when we startle each other, rabbits. One morning we found a coyote inside the fence, but it leapt away; we may have interrupted its rabbit hunt.

~ ~ ~ ~ ~ ~ ~ ~ ~

Harvest - pronghorn and cattle 2018--8-22

There. I’ve talked myself out of my guilt at not finishing what I began so long ago. I remind myself that day after day, the cattle I watch outside the window go about their business, which is grazing the prairie grass and making meat while they raise their calves to be weaned shortly. No matter what the weather, no matter what distractions appear– prairie fire on this day last year, a private plane circling, combines making the air rumble– they keep right on doing their job.

Surely an experienced rancher like myself can do as well as the cows: keep on doing what needs to be done. My job is writing. Sometimes I will fail to do it well, or as well as I’d like. Sometimes I will waste time. But I can always come back to it, and do it as well as I am able.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2018, Linda M. Hasselstrom

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Persistence is Perpetual

The phrase “Nevertheless, she persisted,” has become a rallying cry for women worldwide who are, as always, trying to be taken seriously.

Senator Warren nevertheless she persisted rallying cryThe expression originated with the U.S. Senate’s vote to silence Senator Elizabeth Warren’s objections to confirmation of Senator Jeff Sessions as U.S. Attorney General.

Mitch McConnell, majority leader in the Senate, tried to stop Warren’s speech as she battled against Sessions’ confirmation. Sessions testified under oath that he had not had contact with Russian officials during the 2016 presidential campaign, but news reports this month made clear that such meetings did occur.

McConnell’s attempt to silence Warren backfired when the phrase was adopted by the feminist movement to refer to the persistence and courage women need to cultivate whenever attempts are made to ignore or silence them.

Precisely the same kind of obstinate, quiet and continuing persistence is required to be a writer, and probably especially a female writer.

As the Vernal Equinox approaches (March 21-23), I turned to the relevant chapter in my book The Wheel of the Year, “Writing Eternal as Spring: Persistence.”

Womens History Month Write PersistIn this essay, I consider the fact that good writing is mostly the result of steady work: persistence in the business of writing that involves correct grammar and spelling, as well as putting words on paper every single day.

I provide an example of my own persistence in a poem that I began in 1971 and finished in 2011. I invite you to see inspiration for your own perseverance in The Wheel of the Year, discovering what will make your writing as persistent as spring– as enduring as the work of women who have made history, and whom we honor this month and all year by our writing.

Here is the chapter from my book The Wheel of the Year: A Writer’s Workbook (in a slightly different version than what was published). Each chapter in the book ends with writing suggestions and prompts, though I haven’t included them in this lengthy blog.

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March 21-23: Vernal Equinox
Writing Eternal as Spring: Persistence

When nothing seems to help, I go and look at a stone-cutter hammering away at his rock perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it would split in two, and I know it was not that blow that did it, but all that had gone before together.
— Jacob A. Riis, journalist and social reformer (1849-1914)

If you have written even one poem, letter, blog or tweet, you may realize that writing well is hard work. Yet no matter how completely we understand that fact, even the most experienced writers sometimes hide it from ourselves and others by the way we speak about writing.

Most serious writers have probably experienced the electrical jolt of an idea popularly known as “inspiration,” when we find the image or metaphor that makes the paragraph or essay or poem sing and dance instead of mumbling and stumbling.

keyboardAn inexperienced writer may call it “magic” and may even believe that it will happen every time she sits down to write. Serious writers may not speak of inspiration at all. Instead we speak solemnly of schedules, particular writing tools or special places. We may pontificate about the books we keep beside our desks and the reading we do to understand and support our writing.

What we should explain is that the glowing idea, the electric metaphor, the magic, is the result of the steady grind, the boring part of writing. Without the slow slog of checking spelling, correcting grammar and being sure the modifiers don’t dangle, “inspiration” and fancy metaphors won’t create memorable writing.

Despite zillions of people writing comments and blogs on the internet every hour, all of them convinced their words are memorable, I stand by my belief. Today on the internet as well as on the printed page, writing that has only the spark of an idea or just the clever metaphor is not memorable enough to become part of our cultural history.

Think of the poems or speeches or expressions that stick in your mind because they have meaning for you. This exercise may require some concentration. Try not to think first of the mindless advertising jingles or musical lyrics that haunt you because you hear them repeated often.

“Four score and seven years ago . . .” my mind recites and the words reverberate as if spoken in Lincoln’s marble tomb.

“Our Father who art in Heaven, hallowed be Thy name” echoes among the pillars of an ancient cathedral.

Old poetry books

Like most people, I can recite scraps of several rhyming poems from memory because meter and rhyme make them stick in our minds. “My fathers sleep on the sunrise plains,” I think, recalling how many poems I memorized by Badger Clark, the poet laureate of South Dakota.

Each writer wants to create memorable lines and scenes. Ask fifty poets how to do it and you’ll get fifty answers. But most of us will eventually mention an important requirement: persistence.

The writer who seeks perfection must, to use synonyms, endure, prevail, persevere, hang in, hang on, and hold on.

Or, as Winston Churchill once said, “Never give up. Never, never give up. Never never never give up.”

Here’s an example of how extremely I define “never give up” when referring to writing.

In 1971, I was in graduate school at the University of Missouri/Columbia, having finished my MA in American Literature and begun a Ph.D. program. I worked for an English professor, teaching some of his classes and grading all his papers, as well as teaching several sections of freshman English.

ColumbiaSome of my students were marching against the Vietnam War, escalating every day, and some were vehemently for it. I was a volunteer editor for the underground antiwar newspaper, The Issue as well as editor of the U’s student literary magazine, Midlands.

Having left my husband because he was having another affair, I lived in a second-floor apartment of an elderly woman’s home across the street from a packing plant. I was living so poorly because, although I had been paying the bills of our marriage for several years I had no financial credit. As we did in those days, I’d put all the utilities for our rented house in his name, so when I left him, he had plenty of credit and I had none. He was a graduate student studying for a Ph.D., but he also sang in various bars around town, which provided him with extra money and plenty of prey for his extramarital quests.

My Persian cat, coming home from his nightly wanderings covered with lice and fleas, crawled into bed with me so that we both woke up scratching madly. The medical personnel to whom I applied for advice in ridding my yowling cat and me of the critters could not contain their mirth. My apartment had mice, a new experience for me, so I had put out poison. One night as I sat at the kitchen table sipping soup, a mouse staggered out of the cupboards, perched on the sink and stood on his hind legs, clutching his stomach. He staggered a few steps each direction, whining, then dropped to the countertop and writhed in pain, moaning and whimpering, before he finally stiffened and died. One Christmas, of the dozen couples at a department Christmas party, nine of us announced to our spouses our intention to divorce before the party ended.

Those incidents aren’t everything that happened that year, just a representative sample provided to demonstrate that, though I was writing, my mind was not entirely on sculpting the perfect poem.

Still, I was writing furiously and publishing poetry in various journals under a pen name since I did not want to identify my writing with my husband’s name. I was convinced that my poetry was no good because it was not like the poetry of Richard Wilbur and Robert Lowell, whose work I was studying as a graduate student. The professor who taught my graduate seminar in the work of Henry James had told me that I should quit school and go home and have babies because I wasn’t smart enough to understand Henry James.

One day in that year, 1971, Walter Mathis came to the door of the house where I was living; as soon as he was gone, I wrote about his visit. I knew that what I wrote was only a draft because I was sure that poems that did not resemble those of the classical American literature I was studying could not be any good.

In 1997, because I never throw away a draft, I reviewed what I had written in 1971, and made notes in the margin. Every few years I fiddled with the poem, unsatisfied with the ending.

Binder of PoemsEach time I looked at the poem, I shifted a few lines or altered a comma. Eventually I moved it from a bent file folder and copied it, along with others I thought had possibilities, into the Poems file on my computer. Later I printed it and placed it in a binder divided into drafts and finished poems. I keep the binder on my desk so I can make changes to a poem whenever I am “inspired” to do so. I’ve made significant progress in revision while waiting for a file to load or the computer to respond to some command.

The next time I looked at the poem was probably 2009, after Twyla Hansen had suggested that we publish a collection of poems together. By that time the draft was thirty-eight years old.

During that thirty-eight years, my first husband and I had moved back to the ranch in 1972 to “repair our marriage,” then divorced. I’d spent years crawling through the jungle of consequences from that marriage. I’d also married again and my beloved second husband had been dead twenty-one years. My parents, my grandmother and several close friends had died.

And I’d finally realized that one does not need to enjoy the work of Henry James in order to be an intelligent being and good writer. In fact, I now suspect enjoying the work of Henry James may actually hinder a poet’s development.

My idea of what constitutes good poetry had expanded from the tightly constructed couplets studied in graduate school. Several times I read and re-read the poem draft, astonished at how the face of Walter Matthis rose before me, listening to his voice in my ear. I deleted some lines, moved phrases, worked on punctuation.

Mostly, though, I thought about what Walter had been saying to me that day. At last, because I was finally old enough and had suffered enough painful losses in my life, I found the poem’s true ending. The finished poem was published in 2011 by The Backwaters Press in Dirt Songs: A Plains Duet with Twyla Hansen, Nebraska State Poet.

Because so much had changed in time and place since I began the poem, I had to explain Walter’s language usage to the proofreader, who wanted to eliminate slang and spell “poke salat” differently than they do in Missouri.

1971: Establishing Perpetual Care at the Locust Grove Baptist Cemetery

A knock at the front door
echoes in the landlady’s empty hall
tinkles past the crystal in the cabinet,
drums across her kitchen floor to mine.
She’s not home. Whoever it is will come
to my door next. I stretch,
drop the pen and fill the kettle.
Light the stove with a wooden match.

A stooped man in a black suit
rounds the corner, dust rising
behind his cane with every step.
Ancient sweat stains streak
the band of his straw hat
like layers in old sandstone.
He shuts the gate behind him.
Thumps the door four times
with a rugged fist.
Straightens his shoulders.

I snap the bolt open,
but stay behind the locked screen door.
“Good afternoon,” I say.

He pinches his hat with
two gnarled fingers, lifts, and says,
“Good day, Ma’am. I’m Walter Mathis
from up at Locust Grove.”
He hangs the cane on one arm,
mops his forehead with a red kerchief,
tucks it in a shirt pocket.  “Does Mrs.
Notye Murray still live here?”

He’s afraid she’s dead.
“Yes,” I say. Adding the “Sir”
is automatic, involuntary even.
“That’s her door you knocked on.”

“She’s not home, then,” he says,
nodding. Just what he thought.
He squints, leaning toward the screen.
“You her granddaughter?”

“No sir, just a tenant– I rent
this back apartment,” I say.
Because it’s cheap, I think; because
I’ve left my husband
and have no money and no credit.
“When she goes out in the afternoon,
she’s always back by dark,” I say.
“Unless it’s her whist night. But that’s Thursday.”

He leans back on his heels,
rapping the cane against the concrete step.
Eyes the packing plant fence
like he’s tempted to get the hammer
and a fistful of nails out of the tool box
I know is behind the pickup seat,
fix the blasted thing so it’ll stand up straight.
“Well,” he mutters. “Let me think.”
He yanks the hat brim down.

I unlock the screen door, step outside
to say, “She might be home earlier.
I’m not real sure where she was going
but if she went for poke salat
and lamb’s quarters,
she might be home pretty soon.”

“Cooks ‘em up with bacon, I bet,”
he says, grinning. “Bet you never had
vittles like that, beings you are a northern lady.”
He nods. Another thing he knew
without even thinking.
I nod right back at him. The cane
pounds once more on the step.
His mind’s made up. “Well.
I gotta be gettin back to Locust Grove
so you tell Notye– you tell Miz Murray for me.
We gotta get goin on this perpetual care
for the cemetery up there. Us old-timers,
we figure maybe the next generation
won’t be as interested in the folks there.
But her and me, we got close folks–
she’s got her ma and pa and husband up there
and all my folks are together in that one spot.”

I nod again. Now I remember who I am,
even if I don’t know where.
I can see the cemetery in my home town,
where once I could imagine
my husband’s tombstone with mine beside it,
infinitely announcing our devotion.

He shoves the hat to wipe
his forehead on his sleeve,
yanks the brim back down. Nods again.
“Well, I live right by the cemetery, don’t ya know.
Me an’ Howard Breedlove and Walt Kinsolving–
that’s my son-in-law– we all got together
cause folks been wanting to give me money
so there’d be some kind of continual care.
And I figgered if I just took money
even if I put it in a bank,
pretty soon some bank examiners’d
want to know what I’m doin,
and pretty soon after that
the income tax people
would come a’sniffin around.

So we formed an association. I’m president.
Yep. Howard Breedlove’s treasurer.
I come down here today to get papers
drawed up and signed. And I wanted to tell her
if she wants to send a check
to make it out right, to make it out to
The Locust Grove Baptist Cemetery Association.
I always mow the lawn, mowed it
seven times last year, charged forty dollars
an they paid me OK, but the year before
I mowed it ten times an there wasn’t
enough money in the treasury to pay me
so I just give ’em the last one.
I lived there all my life and all my folks
are buried there. I usually got
some grandchildren to help me.
About your size.”

Walter Mathis waves his cane,
redeems me as his grandchild.
I’m ready to follow him home
to Locust Grove, learn to cook
poke salat just the way he likes it.

“Here now, you tell Miz. Murray
I come by and to make the check out
Locust Grove Baptist Cemetery Association.”
He tips his hat again. “Good day to you, ma’am.”

The kettle’s boiling.
While Walter’s 1953 Ford pickup
lumbers down the street, I pour my tea,
take the cup upstairs and lean to look
out the bedroom window, to watch
until Walter Mathis turns left
on the gravel road out of town,
headed back to Locust Grove.
I sip my tea and know it’s time
I headed home
where people recognize me,
where the cemetery dust
is folks I knew.

Locust Grove Baptist Cemetery photo found online

Before the book was published, I considered changing the names of the people mentioned in the poem, but decided against it, reasoning that they are doubtless dead by now. And I hoped that any descendants who might, by some far-fetched chance, read the poem, would see that my depiction of them was not only respectful but downright loving.

Walter Mathis grave found onlineToday, writing this message, I was able use technology that wasn’t available in 1971 to search for the names Walter R. Mathis and Notye Murray. They died in 1984 and 1982, respectively. Walter is buried in Locust Grove but Mrs. Murray apparently is not. May they rest in peace.

And I realized something important: When he came to my door on that day in 1971, Walter R. Mathis was seventy years old. I was able to finish the poem because I’m finally old enough to understand Walter’s concern for that burial ground. I am sixty-eight and a volunteer member of the board that governs the Highland Park Cemetery in my home town of Hermosa. Walter would chuckle to know that.

Finally, though I have written a considerable amount about this poem’s origin, I do not wish to suggest that the reader needs to know such background information to understand a poem, nor should such knowledge influence a reader’s appreciation of the poem. The poem must stand or fall on its own merits.

So my message for this Vernal Equinox is this: in your writing, be as persistent as the coming of spring. Return to your drafts as the birds return to their preferred habitat in spring, as grass revives and sends its shoots deeper.

Put a few words down on paper every day, just as if you were scattering seeds in the fertile earth. Appreciate the darkness that covers our world half the time at this season– but rejoice in balance of light and dark and savor the renewal of the light that will bring summer. Blessed be.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2018, Linda M. Hasselstrom

#  #  #

The chapter “March 21-23: Vernal Equinox; Writing Eternal as Spring: Persistence” appears (in a slightly different form) on pages 169-181 in the book–

Wheel of the Year - A Writers WorkbookThe Wheel of the Year: A Writer’s Workbook
Nonfiction, published 2015, Red Dashboard Press
Distributed by Windbreak House
300 pages, size: 6 X 9
$22.95 – paperback
ISBN 978-0-9966450-0-3

 

The poem “1971: Establishing Perpetual Care at the Locust Grove Baptist Cemetery” appears on pages 104-107 in the book–

Dirt Songs a poetry collaboration with Twyla M. Hansen

Dirt Songs: A Plains Duet
by Twyla M. Hansen and Linda M. Hasselstrom
(50 poems by each poet)
Poetry, published 2011, The Backwaters Press
147 pages; size: 6 X 9
$16.00 – paperback
ISBN 978-1-935218-24-1