Writing: Where I’ve Been — On the Range

Writing: Where I’ve Been  —  An Introduction to This Series of Unpublished or Published-but-Uncollected Work

My current project is writing a diary of a year on this ranch nearly 30 years after my first book, which is a diary of a year on this ranch. In this new work, I’ve necessarily looked back at journals I kept, letters and journals from my relatives and others who lived in this area, and at writing I did during that time, when I was searching for my writing voice.

Much has changed. I’ve worked as a journalist and a college professor. I’ve been divorced and widowed. I’ve settled down in several places for several reasons.

But always, I was writing. Much of what I wrote during the past will remain private, though— following my own advice— I rarely discard a draft because I never know what insight or information it might contain that will be of value to me now.

But re-reading some of what I wrote in past years has been useful for me, not only in matters of insight, but in matters of writing style. I can see things I would write differently today, but I have also discovered writing I consider good that has had few or no other readers. Technically, these are either unpublished works, or published and uncollected, meaning they have not appeared in a book.

Who knows when, where, how or even if I might publish another book that will enable me to collect past writing? My book Between Grass and Sky was a wonderful gift of that nature from the University of Nevada Press but the world of publishing has changed as well; I may not get so lucky again.  Besides, publishing a book means promoting a book and these days I enjoy making sales pitches less and less.

So I’ve decided to self-publish some writing via this blog. The writing that will appear in the category “Writing: Where I’ve Been” is a mixture of styles, written as I was searching for the narrative voice that most nearly suited me and the material that has become most important to me. Each piece is annotated with background information. Some stories were intended to be read as fiction though they were substantially true; in those instances I have explained what is fact and what is fiction. Some of these pieces were published in slightly different forms; I have noted any previous publication.

Each of these writings was part of a thought process that resulted in other writing; readers may see the roots of ideas that appeared in later work.

I invite writers and aspiring writers to read these texts as part of your study of how writing develops. Remember, I think revision is the second most important part of writing (after thinking), so you might consider how you would revise and improve a particular story. Be inspired; be amazed; be annoyed! You might even comment, and I may— or may not— respond.

No matter what your response, I’ve posted these especially for writers in the hope they will help you to keep writing until you find the style and voice that particularly suits you. Then write your life with the variety and enthusiasm with which I continue to write my own.

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Introduction to “On the Range”

This is written in third person, because I was intent on fictionalizing my true experiences. For that purpose, I said here that my parents were dead, though in real life they had started going to Texas in the winter, leaving me in charge. My husband and I had come back to the ranch to try to “repair our marriage,” but his behavior had led me to file for divorce, so I was alone on the ranch.

This story was published in Colorado State Review, Vol. VI, No. 2, Fall 1979.

All photos were taken on my ranch.

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On the Range

Barn window tree 2015--3-5The alarm slammed her out of a dream and left her clinging to the shelf over the bed. She switched on the bedside light. She’d been dreaming of a black calf so tiny it lay in the palm of her hand.

Two. What was I getting up for? Oh, the brockle‑face heifer.

She threw the covers back over the gray oval of the sleeping cat and put her feet down on the cold concrete floor. The shock helped her wake up.

Lucy, let’s be honest. At least when you were teaching you didn’t have to get up at two in the morning to take care of the little dears. They weren’t any smarter than cows, but they weren’t part of your job at night.

Her shirt, jeans and socks lay on the trunk beside the bed, and she put them on as if she had to think about each move.

Seems as if I’ve been doing this forever. And I’m not half through calving yet. Is it Wednesday?

She padded upstairs by the glow of the bedside light and slipped on the heavy boots. Out the window she could see snow falling.

Damn. That’s no good on those babies out in the pasture. They didn’t predict anything last night. I should know better; father always knew when a storm was coming.

Stiffly, she pulled on the heavy coat, jerked the stocking cap over her ears, picked up her gloves and flashlight. Standing on the porch, she looked up at the sky, crowded with flakes. A little wind was blowing and the snow had started to drift.

Damn. Damn. Damn. Wet snow, too. Most of those calves are old enough to live through it though, and I don’t think anything else was going to calve tonight. But I should have gotten them all in.

She turned the light on the thermometer beside the back door.

Twenty. Dropped ten degrees since midnight. Shit. The snow will get them wet, and then freeze. Damn. I should have gotten them all in the corral; even a little windbreak would help keep them warm.

???????????????????????????????She used the flashlight going into the dark tunnel of the barn’s entrance, and on the narrow path between the pickup and stacks of bagged cattle cake and salt, then switched it off and stepped silently up to the gate. She listened to the heifer’s raucous breathing for a minute. When she turned the light on, the heifer’s eyes rolled wildly, flashing light as she stood and turned. Two yellow hooves stuck out, shining in the light. The ground was torn and wet. While Lucy watched, the heifer lay down again, stretched her head out, grunted and began to push. The hooves emerged a few more inches, jerked and retreated. Above them she saw briefly a nose and a long black tongue which quivered when the heifer strained.

Lucy sighed, turned on the overhead light, turned off the flashlight and took off her coat.

At least it’s coming right this time. I hate that reaching in there groping around, trying to figure out what’s head and what’s rump while the cow tries to strangle your arm with her vagina muscles.

The heifer was unafraid, tamed by a month in a small pasture where Lucy scattered feed every day, talking quietly to them to get them used to her voice and presence. But she didn’t like the rope and bawled angrily when she was tied to the stanchion. Lucy moved the gate over to pin her against the side wall and fastened it. The heifer stood for a minute, head hanging, then lay down again.

That’s right, girl. Lie down and stay quiet, and it’ll be easier on both of us. All three of us.

She took the smooth chains and thick, looped handle from a nail on the wall, and glanced at the feed bunk: the rest of the calf puller was there, ready for use. She moved quietly up behind the heifer.

Take it easy, honey. You just concentrate on what you’re doing and I’ll give you a hand here.

She patted the heifer on the flank and slipped one end of the chain around the little black leg of the calf as far up as she could reach. Once she’d only been able to get it around the tiny hooves, and in pulling, had pulled them off. The calf staggered around for three days on the stumps of his front legs before dying.

???????????????????????????????She held the chain, blood and urine flowing over her hand, while she fumbled to fasten the other end around the other leg with her left hand. The heifer turned her head, rolled her eyes, and began to struggle against the rope.

Here now! Take it easy. Just lie down there and get busy. Easy, girl, easy.

A spasm shook the heifer and she laid her head back again. Lucy fastened the handle at the middle of the chain and leaned back, pulling as the heifer pushed. Again and again the heifer strained, and the woman threw her weight into the pull with her. The calf’s nose came further out, but the bulk of the head remained hidden by the cow’s body. When the heifer rested, Lucy reached inside her and felt the calf’s head carefully.

Pretty big. But not so big it shouldn’t come. Maybe I’m rushing things.

She wiped her bloody hand on her jeans, and knelt.

I wonder how this happened. When the folks were killed, it seemed perfectly logical to come back here. One day I was looking at sophomores’ faces, and the next day at cows’ behinds.

The heifer began to push again, and the woman pulled with her, then rested.

It didn’t take me three seconds to make up my mind. Of course, I can still sell the place, and find another job. Everybody’s short of teachers these days.

The heifer grunted, gasped, and stopped pushing again. The woman rested.

On the other hand, I’m almost through the winter; if you can make it through a winter out here with most of your cows and your sanity, they count that as a success.

The heifer pushed again, and the woman braced her foot against the heifer’s leg and pulled.

Come on, baby; we can do it. Come to think of it, the cows’ behinds look a lot like the sophomores’ faces. If I am insane, I don’t know it, which is the same thing.

She wiped the sweat from her forehead with her sleeve and looked at the mounds of straw piled against the wall, the clean bundles scattered over the floor. She’d spent four days collecting it from a neighbor’s field after the harvest.

Warm, clean, looks so nice in the light. Can’t even feel that wind.

She leaned against the heifer’s warm flank, shaken with her rough breathing.

I don’t know why I don’t just sleep right here. Some of the neighbors do, I guess. Might beat dragging myself up those stairs four times a night.

The heifer pushed again, and for awhile the two of them gasped and pulled and pushed together, but the head remained stuck. When the heifer rested again, Lucy stood up slowly, knees cramped.

Well, girl, I guess we’ll have to get the machinery.

She unhooked the handle, laid it aside, and moved to a stall across the barn. The calf puller was ready, a new one her father had gotten a few years before he died.

How in hell would you ever figure out how to work one of these things if you didn’t already know? They don’t come with instructions.

She giggled, picturing some novice reader of Mother Earth News confronting a calf puller for the first time in a dark barn in the middle of a blizzard.

The neighbors forget I grew up here; they mutter about that fool woman trying to run that ranch alone. Wonder what happened to my husband. Wonder if I’m going to find another one.

She put the canvas strap over the cow’s back, pulled her tail through, and braced the curved metal frame against her rear end, hooking the chain. The long handle stuck out and she gripped the crank.

Now, take it easy, honey, and stay down. I don’t want you slamming me against the barn door like the last one. I’ve still got bruises. Easy now, easy. It’s almost over.

The heifer took a deep breath and pushed, and Lucy began to crank. Once she started, the calf had to come out or the heifer’s vagina would throttle it. She cranked as hard as she could.

Easy, baby, easy. We’re getting it done now.

Barn stall panel 2015--3-5Her arm hurt. The heifer moaned low in her throat as the calf’s head slid into the light. The woman coughed with exhaustion.

Easy now, got to slow down for the shoulders. God, his head’s bigger than I thought. Bull calf, I’ll bet.

The cranking grew harder. The cow bellowed with pain and anger, and began to struggle. Her legs thrashed wildly, striking the sides of the stanchion as she tried to get up.

Easy honey, easy. I can’t help hurting you. Damn it, don’t get up.

The cow’s head slammed against a post and she lay still. With a sloshing sound the shoulders passed, and the calf slid forward until only its hips and back legs were still inside the cow. The membrane covered him, and he twitched as the umbilical cord snapped.

Lucy cranked hard, knowing she didn’t have much time. Suddenly the hips passed and the calf burst out onto the floor with a gush of blood and urine and membranes.

How the hell do you meet men in a community like this? Maybe if I accepted some of those women’s invitations to coffee, they could give me some hints.

She unhooked the chains, threw the calf puller to the side, grabbed the membrane and pulled it away from the calf’s nose. He gasped and snorted out a gob of mucus.

But I don’t want some guy who can’t talk about anything but the price of beef. Hell, why do I need anybody?

She stuffed the calf’s purple tongue down his throat, and swore as one of his knife‑sharp teeth slashed her thumb.

I’ve never understood why the cows’ tits aren’t cut right off when the calves gnaw on them.

He coughed, shook his head, gasped. She knelt, watching him closely, then pushed on his ribs as his breathing seemed to stop; she could feel the heart flutter beneath her hand. He wheezed, then began breathing regularly, gurgling a little.    She pulled him a little away from the cow and sat back on her heels, breathing hard. The cow was inert, blood running from her and pooling on the hay. Lucy sighed, wiped the slime on her pant legs and stood up.

You should have thought of this when that bull made his move, honey. You have to make some decisions for yourself.

She cranked the calf puller back down, so it would be ready for its next use, and replaced it. Then she picked up the chains and handle, dunked them in a bucket of water and disinfectant and hung them on the wall.

Got to change that water tomorrow.

The cow still lay unmoving, except for the slow heave of her breathing.

Damn it, get up.

She kicked the cow in the flank once; twice.

Get up, damn it. You aren’t through. You have responsibilities and it’s snowing. Get at it.

The cow groaned, stumbled to her feet, and turned around with the afterbirth hanging out of her. She sniffed the calf suspiciously, then grumbled a little in her throat. The afterbirth plopped to the ground. The calf’s white head was up, his black body slick and shining in the light. She began to lick him, throwing the little body from side to side with the force of her tongue. His ears began to stand up, and he shook his head repeatedly, throwing mucus out of his nose. Lucy stood in the light a minute, then patted the heifer on the flank.

Guess you’re all right. Take care of him.

The cow turned away from the calf and began to eat the afterbirth, her long tongue wrapping around it, drawing it up into her mouth along with bits of straw. The calf was trying to get up, pushing his long legs out in front of him, the soft yellow hooves shining in the light.

Another live one, and he wouldn’t have been if I hadn’t gotten up. Probably have lost her too.

Lucy put on her coat, picked up the flashlight, turned out the light, stepped out to darkness and whirling snow. She turned when she came out of the barn, and went into the corral, where the other twelve heifers lay in white bundles, blinking at the light and the snowflakes in their eyelashes.

Well, maybe the others are bedded down like this, and there won’t be any trouble. Maybe it’s just a flurry and will stop soon. Anyway, I can’t get the others in tonight.

She looked at each of them, shining the light at each end of each heifer. One stood up, stretched, looked at her and then lay down again in the black spot her body had kept from snow.

All quiet. Well, ladies, why don’t you let me sleep until six?

Once inside, she hung up the coat, and kicked the boots against the wall, then pulled off her jeans. She hung them over a chair, and padded down to the bathroom, and turned on the hot water, staring at herself in the mirror.

Dad always said ‘Don’t count the dead ones.’ He said a lot of things, but I wonder what he’d say about this? He was proud of my being a teacher; he knew I couldn’t teach and run the ranch too. Too bad he didn’t have a son. They’d probably have fought. Too bad I couldn’t find a husband who liked ranching, instead of one who just liked other women.

When the water was almost scalding, she scrubbed her hands hard with Lava soap. She washed her face, too; dried it on the towel.

I look like a hag, older than thirty‑four. Maybe it’s the light.

She left the shirt on the trunk and slid in under the quilt, moving the sleeping cat over a few inches. The cat raised her head and murmured, then curled up again. Lucy set the alarm for six, and lay back, willing herself to relax.

It could go on like this until you’re eighty, like your grandmother, struggling with these cows. You could grow to hate spring’s rebirth while you lie here barren, yet getting tied closer and closer to this land, being responsible for it. Is it worth it? What are you going to do?

In the dark barn, the calf struggled to his feet and found a teat, began to nurse. His tail flopped back and forth in rhythm, and his mother turned and licked his back and murmured to him. In the pasture, the wind howled, piling snow around cows with baby calves nestled against their bellies, sheltered.

Cow&Calf2014--5-16 - CopyGoing to be busy tomorrow; check all the calves, make sure everything’s sucking, get feed out. Hope the truck will start. Hope this doesn’t kill the blackbirds and meadowlarks.

The cat stood up, stretched, and curled up beside her ear, purring. Lucy smiled in her sleep.

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(c)  1979, reprinted 2015  Linda M. Hasselstrom

Book Remarks: Suggestions by Wendell Berry

The 3/20/15 issue of The Week features a book list chosen by Wendell Berry, who is one of the nation’s strongest advocates for wise land use to save our lives, as well as being a poet. If you love the earth and haven’t read Wendell Berry, start today!

Berry recommends six books that inspired his thinking, including an account published in 1911 of the organic farming practices in China, Korea and Japan, Farmers of Forty Centuries, F. H. King. How did the people keep their land productive for 4,000 years? Not with pesticides and herbicides, but by returning all “wastes” to the soil, leaving the fertility cycle intact.

Of the books Berry cites, I can recommend the following:

AgBook GroupAn Agricultural Testament, Sir Albert Howard. Published in 1943. Howard argues that farming can last only if it obeys the laws of nature. “Mother Earth never attempts to farm without livestock,” he wrote. “There is no waste; the process of growth and the processes of decay balance one another.”

Home Place: Essays on Ecology, Stan Rowe, insists upon the importance of the ecosphere (not just the biosphere) as context of our lives. Rowe writes that we should “live on the annual interest and leave the land’s capital alone.”

Nature as Measure: The Selected Essays of Wes Jackson. Berry says this 2011 book addresses “The problem of agriculture” and the prospects for practical solutions.

A Sand County Almanac, Aldo Leopold. This, of course, is one of the bibles of wise stewardship. Leopold’s ethic is simple and clear: “A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it tends otherwise.”

On a large scale, the problem of how we treat our land is complex, because companies who “use” the land in some way want to make a profit. But at the very least, we who occupy a small portion of the earth can do a great deal toward improving the world by following Leopold’s ethic in our lives as much as possible.

Linda M. Hasselstrom
Windbreak House
Hermosa, South Dakota

© 2015, Linda M. Hasselstrom

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Dust, Grass, and Writing

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Green grass sheltered by limestone.


I’m on the deck trying to convince myself the weak March sunshine is warmer than it is when I notice the pickup in the field, hauling hay to the cattle. Dust rises behind the tires, swooping up and then spreading out, reminding me how very dry the weather has been for the past three winter months. We are three-quarters of an inch behind our normal one and a quarter inch of moisture for the year. During this month of March, now slightly more than half over, we have had only a trace of moisture.

Yet when I look at the hillside close to my house, I see green grass several inches tall. How can the grass be growing when the ground is so dry?

The answer lies in the native grasses surrounding my house: buffalo grass, blue grama, big bluestem, redtop, and others that have been adapting to this area for millennia. These grasses can tolerate heat, drought, and soils that would be inadequate for more tender plants. These grasses have probably even evolved to fit this particular slope, rich with limestone rock, and to the way the wind blows snow across the ripples in the ground.

The thin roots of buffalo grass, for example, go deep, reaching down as much as five feet for buried moisture. The roots of blue grama are in a dense mass in the top two or three feet of soil, compact to provide efficient use of moisture. Up to 80% of the roots of redtop are found in the top two inches of soil. So these grasses complement each other, utilizing all the moisture that falls, whether it’s scant or abundant.

Immediately I can see the writing simile or metaphor. Some who looked out over this prairie today would find it uninspiring, covered with the gold of dried grasses except where vehicles have left dusty tracks. This morning my mind felt the same: covered by the dried debris of ideas I haven’t pursued, failed possibilities grimy with too much handling. Without inspiration.

Similarly, if I only scan the prairie and turn away on this early spring day, I will miss its subtler beauties. Sitting at my writing desk, if I concentrate on the dust and desiccation and immediately give up, I may miss possibilities.

Standing on the deck, thinking, I hear a cry and see the resident kestrel drop out of sight below the hill, pursuing a blackbird or sparrow as relentlessly as I sometimes follow an idea.

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Tough prairie grass splitting open a rock.


Like the native grasses, the roots of writing go deep and reach out in many directions. These roots may be so thin they appear delicate, but they have strength to draw life-giving moisture from the soil. I’ve learned that I need to be patient. I may begin writing with no clear idea of where I am going, simply describing something I’ve seen, or responding to a news item. I may write and write and write—and suddenly the subject will present itself, will draw the sustaining moisture out of soil that may seem dry and unforgiving.

Here’s the tricky part. No matter how dry your personal prairie looks, you must start writing. You must start following those roots down. If you think, “I’m writing SOMETHING VERY IMPORTANT” you may choke yourself, and become unable to go on: surely your thoughts are too trivial to be worth recording.

Don’t be afraid to be trivial. You have to start somewhere, and every root may reach down to necessary moisture, and up to a strong blade of grass.

Grass is green 2015--3-20
Green life hidden beneath the dry debris.


This essay began with two simple observations: dust rising behind a pickup, and grass growing green, two pictures that contradicted one another. Those two sights led me to one of my main themes and interests, native grass and its ability to withstand drought and abuse. I’ve written about this subject often in attempts to persuade readers to save native prairie grasses, but this time my thoughts turned to writing and the comparison emerged.

Each of us contains “native grasses,” possibilities rooted deeply in childhood or our pasts, events that are the foundation of everything we are. From those deep roots we can write endlessly, following their twisting course down into the rich soil fertilized by our years of experience. Or we can follow the roots up to the stalk that is our present and our future, reach into the clear air of tomorrow. Either way, taking time to look at the landscape around us, whether it’s literal or imaginative, can start the writing we need to do.

Flannery O’Connor, in Mystery and Manners: Occasional Prose, said, “Anybody who has survived his childhood has enough information about life to last him the rest of his days.”

Ignore the dust. Follow the roots.

Linda M. Hasselstrom
Windbreak House
Hermosa, South Dakota

© 2015, Linda M. Hasselstrom

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The Cloak of Visibility: Foofaraw, Jangles and Clanks.

LMH jacket 2015--1-13 small
Linda M. Hasselstrom, January, 2015 all tricked out in her fringed jacket.

The fringed jacket that I wear to The National Cowboy Poetry Gathering was a gift from my partner, Jerry, and has become a weighty, but necessary, part of my performance, my Gathering armor.

The jacket was made by Double D Ranchwear as part of a collection apparently inspired by Western and Indian styles. In its original form, the jacket was probably inspired by military action on the Northern Plains. It’s heavy blue denim, cut like a military jacket, but decorated with fringe and a bead breastplate.

The beads down the front echo an Indian hair-pipe breastplate. Hair-pipe beads are tubular, and may be from a half-inch to as much as four inches long; mine are three inches long. Usually they are tapered at the ends, with a center hole.

???????????????????????????????Nobody seems certain when and where hair-pipe beads were first used and made, but archaeologists have found shell ones nearly 4,000 years old, probably made in coastal regions and dispersed through trade. After about 1624, hair-pipe style beads were made of glass, brass and silver, as well as horn and bone, mostly in the eastern part of what is now the U.S. The beads were particularly popular between 1880 and 1910.

By that time, the hair-pipe breastplate had been adopted by Indian tribes west of the Rockies and were also worn by tribes in the northwest. They are still used in powwow regalia in chokers, breast plates, earrings and necklaces worn by both men and women.

Little information is available on how the beads were made, but they were probably drilled with a rotary, belt-powered drill and shaped on a lathe. Some beads are still made of horn or bone, and may be black, white, or decorated in a variety of ways.  Cheaper plastic ones are also available.

My jacket may recall the fact that Indian warriors sometimes picked up military clothing after a battle, and adapted it to their own use; the hair pipes down the front would function as both a shield and as decoration.

Fringe also adorned the buckskin clothes worn by fur trappers and traders in imitation of Indian clothing, but it wasn’t solely decoration; it helped shed rainwater, as well as helping a garment to dry faster because the fringe acted as a series of wicks to disperse the moisture. A buckskinner might also use a piece to tie up broken gear.

So the jacket’s original style is a combination of American Indian and military influence, which appeals to me as symbolic of this prairie where I live: occupied by Indians who were chased off by the military, and then adopted by people like me who don’t fit willingly into a particular mold.

When I was in buckskinning (reenacting the beaver-trapping era of the 1830s with muzzle-loading rifles) with my second husband, George, we collected a considerable number of accoutrements. I have muzzle-loading rifles, clothing of the era, and plenty of what we buckskinners called “foofaraw”—jewelry and other decorative objects.

Jacket Items 2015
Some of the foofaraw tied in the jacket fringe– George’s tobacco box made of horn, George’s grizzly bear claw earring, a couple turtles (of course!), a tiny dream catcher, and a Harley Owners’ Group pin in honor of Jerry.

I realized the jacket wasn’t quite “cowboy” but I’ve never considered myself to be purely a “cowboy” poet. I like and respect many cowboy poets, but have many other interests, including the historic era of the beaver trapper where a white woman would not have been welcome or comfortable. I own western clothes—boots, hat, boot-cut jeans—but don’t wear them full-time. Depending on my task for the day, I may dress like a rancher or like a professional businesswoman. So in a spirit of irony, I began turning the jacket into something that was neither cowboy nor buckskinner attire: a War Shirt to bolster my courage when I have to stand up in front of people to speak.

I realized that without George, I wasn’t likely to attend many buckskinning rendezvous, so I tied souvenirs from my buckskinning life onto the fringe. I wore the jacket the first time as armor; nervous, I wanted familiar things around me. I also wore my buckskinning hat, a broad-brimmed felt with a beaver fur hat band, and talked about being one of the muzzle-loading reenactors.

I was also curious about the reaction of these cowboy folks I didn’t know. Would the folks at the Cowboy Poetry Gathering be offended by my failure to adopt cowboy attire?

Scalp Lock and Bells 2015
The tiny imitation scalp lock is made of deer bone and horse hair. Brass bells and tin powwow jingle cones add to the jacket’s jangle.

I tied on several metal cones of the type used to make jingle dresses for Indian powwow outfits. The first ones I saw were made of the metal discs from the top of chewing tobacco cans—Indians recycling–but now they are manufactured for powwow use. Several brass bells add their tones to the sound. A friend made imitation scalp locks from tiny deer toe bones and hair from horses’ tails. A grizzly claw set with turquoise was George’s earring. His horn tobacco container hangs from one fringe. I tied my jaw harp close enough so that I could play it while wearing the jacket

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The Warrior Woman pin.

To honor Jerry, I placed a HOG (Harley Owners’ Group) pin at the shoulder. As balance, on the other shoulder is a pin featuring a woman with a horned headdress holding a shield in one hand and a sword in the other: a militant feminist symbol. Somewhere is a miniature dream catcher given me by a former student when I visited him in the penitentiary. Among the fringe hang several millifiori glass trade beads made with flower designs in Venice, and Chevron glass trade beads, watermelons, and other beads that have been used for several thousands of years as trade items. Some of my beads are old enough to have been used during the fur trade days of the 1830s on the plains. My Cloak of Visibility carries memories I can’t even articulate. The jacket jangles and clanks, and carries symbols of many different parts of my life.

???????????????????????????????I’m not sure how the average cowboy poet views my jacket, but at least one man understood and appreciated its humor and symbolism. Wally McRae, the greatest living cowboy poet, raised his eyebrows the first time we were onstage together and said with a smile, “That’s quite a rig.” I wasn’t entirely sure how he meant that until the next year, when he brought me one of his cufflinks to tie on.

When I mentioned the cufflink while performing, the Western Folklife Center archivist asked if I’d will the jacket to the Center when I’m finished with it.

I suspected he was more interested in Wally’s cufflink than in my jacket.

This year, when I mentioned the cufflink exchange onstage, Wally told me that he’d lost a tooth at a recent gathering. He promised to bring it to me next time we meet, and if he does, I’ll find a way to wear it. More good memories will follow me.

Afterword:

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Wally McRae’s tooth now hangs next to his cufflink.

I wrote this blog on February 13, soon after returning from the Cowboy Poetry Gathering.  A couple of weeks later the mail contained a small envelope with Wally McRae’s return address. Inside was this note:

This is the tooth I, like a three-year-old cow, shed at the Gathering a few years back. It appears I should have been more dedicated to brushing and flossing. So—hang it on your war shirt as a token of the good medicine we seem to develop while sharing a program.   —-  Wally McRae

The Wally McRae Fang now hangs next to the Wally McRae cufflink on the jacket’s left side, where my heart is.

Linda M. Hasselstrom
Windbreak House
Hermosa, South Dakota

© 2015, Linda M. Hasselstrom

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To hear the jingle jangle of this jacket see my YouTube clip:

Writing: Where I’ve Been — Moon Meadows Road

Writing: Where I’ve Been  —  An Introduction to This Series of Unpublished or Published-but-Uncollected Work

My current project is writing a diary of a year on this ranch nearly 30 years after my first book, which is a diary of a year on this ranch. In this new work, I’ve necessarily looked back at journals I kept, letters and journals from my relatives and others who lived in this area, and at writing I did during that time, when I was searching for my writing voice.

Much has changed. I’ve worked as a journalist and a college professor. I’ve been divorced and widowed. I’ve settled down in several places for several reasons.

But always, I was writing. Much of what I wrote during the past will remain private, though— following my own advice— I rarely discard a draft because I never know what insight or information it might contain that will be of value to me now.

But re-reading some of what I wrote in past years has been useful for me, not only in matters of insight, but in matters of writing style. I can see things I would write differently today, but I have also discovered writing I consider good that has had few or no other readers. Technically, these are either unpublished works, or published and uncollected, meaning they have not appeared in a book.

Who knows when, where, how or even if I might publish another book that will enable me to collect past writing? My book Between Grass and Sky was a wonderful gift of that nature from the University of Nevada Press but the world of publishing has changed as well; I may not get so lucky again.  Besides, publishing a book means promoting a book and these days I enjoy making sales pitches less and less.

So I’ve decided to self-publish some writing via this blog. The writing that will appear in the category “Writing: Where I’ve Been” is a mixture of styles, written as I was searching for the narrative voice that most nearly suited me and the material that has become most important to me. Each piece is annotated with background information. Some stories were intended to be read as fiction though they were substantially true; in those instances I have explained what is fact and what is fiction. Some of these pieces were published in slightly different forms; I have noted any previous publication.

Each of these writings was part of a thought process that resulted in other writing; readers may see the roots of ideas that appeared in later work.

I invite writers and aspiring writers to read these texts as part of your study of how writing develops. Remember, I think revision is the second most important part of writing (after thinking), so you might consider how you would revise and improve a particular story. Be inspired; be amazed; be annoyed! You might even comment, and I may— or may not— respond.

No matter what your response, I’ve posted these especially for writers in the hope they will help you to keep writing until you find the style and voice that particularly suits you. Then write your life with the variety and enthusiasm with which I continue to write my own.

#  #  #

Moon Meadows Curve 2015--2-28

Introduction to “Moon Meadows Road”

This is a true story and I have written it as nearly as possible in the words of the man who told it to me.  All names— except the name of the road— have been changed.  This piece has never been published until now.

All photos were taken along Moon Meadows Road in February, 2015.

++–++–++–++

Moon Meadows Road

Moon Meadows Sign 2015--2-28I’d run out of cigarettes just at dark, and was heading for town, taking the shortcut across Moon Meadows. I should have given up either the cigarettes or the shortcut years ago. Now I’ll have to, because I can’t drive it without remembering.

I should have been soaking in the tub instead of driving to town, with the highway already starting to ice over as the sun went down, and the clouds hanging low and wet. Should have quit working sooner, but the woodpile was getting low, and I wanted to get all the trees I’d cut this morning limbed and dragged up into the clearing where I could cut them up tomorrow.

I’ve cussed the old shortcut for twenty years, but I always took it rather than drive down the new highway past the country club and the ugly blocks of condominiums. Broadmoor Estates. Wildwood. Copper Moun­tain Homes. Innsbruck Acres. Where the hell they think they are? Certainly not a bare hillside in South Dakota. Maybe when they get inside their glass palaces and pull the fancy little blinds it seems like Aspen.

The old shortcut was Harry Adams’ pasture road a few years ago, and a lot of the land up on top of that ridge is still pasture. No cows in it now; he pastures it later, usually June. Always loses a cow or calf from some asshole trying to drive too fast. He had to sell off the west end, close to the hills, when he had a bad spell a few years ago and ran out of money. That’s when it got the name Moon Meadows; some developer thought he’d make a bundle putting houses up there. I suppose he hasn’t done too badly; the whole west end of the ridge is covered with them, and every time I drive across there, it seems like another one is going in.

Moon Meadows Warning 2015--2-28Adams hung onto the east end for pasture, and he’s a tough old bird, around eighty. He’ll probably be around another twenty years, and until then, the road won’t improve because he made them sign a deal to follow his old pasture road and he only gave them enough easement for a narrow trail.

That made him laugh, but it was a mistake, because there wasn’t enough space for a decent shoulder. The gullies cut so deep into the ridge from both sides if you drop a wheel off you’re going down sixty, eighty feet into a steep‑sided draw.

The snow was falling harder by the time I was halfway across the Meadows, beginning to look like a real April blizzard. I’d be lucky if it wasn’t too deep in the morning to take the truck to the clearing where I’d stacked the logs. I could always chain up the tractor, though, and drag them right up by the house. This morning it was so warm I almost thought I could ignore the woodpile and do something else; that’s how these spring blizzards sneak up on people and get them killed.

Anyway, I saw the damn fool’s lights coming up behind me just after I’d got past the first batch of houses. If I’d seen him sooner, I’d have pulled off and let him pass, but I’d run out of driveways, so all I could do was just go along slow and hope he saw me and got past me. The snow was coming down hard. When I tried to accelerate a little, the rear end of old pickup swung out slow, like a horse nudging you with his hindquarters, getting ready to casually mash you against the side of the stall while you put the saddle on.

The guy popped over the hill behind me, his headlights glaring on the rear view mirror so all I could do was squint my eyes and hunch over, ready for the smash. But he swung out somehow, and got around me, skidding and sliding all over that road, horn blaring, tail lights flashing, making the snow look red as blood for a few minutes as he pumped the brakes.

I straightened up and breathed again, and kept on. Should have quit smoking, then I wouldn’t have to go out in a storm for something that was probably killing me anyway. I felt in my shirt pocket; I had most of a pack, but I’d smoke those tonight and then have to go out in the morning anyway. And the storm might be worse.

I never wanted to live until I got old and sick; used to say I’d shoot myself when I got to be fifty, but I made it in January. Might as well move it up to sixty.

Or I could have taken the other road. It’s straight and wide and they plow it about six times a day all winter; can’t have the pretty people sliding into the ditch on the way home to condominium heaven. There’s a convenience store right at the bottom of the hill, but I like the old store over on the other side of Moon Meadows, where I’ve been buying beer and cigarettes and bread since I moved out here twenty years ago. Same bent old man behind the counter, propped up on a shelf reading the paper.

The wood stove would be red tonight. The tourists that wandered in there always think the stove is quaint, but it leaves the corners of the store chilly in the winter. Old Ben won’t buy a furnace. He lives behind the store, and judges cold nights by how often he has to get up to stoke the stove. On winter nights, a few old boys are always gathered around it bitching about how the country is going to hell.

Most of them still have their places, but their wives are gone, their kids all studied to be lawyers and moved away, and they just rattle around feeding a few old cows. At night they come into the store for something for supper, and to ease the loneliness. I keep seeing myself ending up like that‑‑hell, I already have, I guess, only I just get my stuff and go instead of sitting down. I wouldn’t be surprised if Ben keeps the stove and the ugly chairs on purpose.

I’d almost forgotten about the car that passed me when I saw the light off to my right, just a single column of white light shining straight up into the darkness. Been watching too much TV I suppose, because my first thought was to glance up and see if a space ship was coming down, lighting its way. Then I shook myself and realized the light had to be coming out of one of those deep gullies.

???????????????????????????????I stopped the pickup right in the road; no choice, and put on the brakes and blinkers before I crawled out. The road was so slick I had to hold onto the pickup to keep from falling down, and I skidded off the edge of the road and looked down.

The car was upside down, but the front end was tilted enough so that light shone up, or I’d never have seen it. By morning, at this rate, it would be covered with snow and the light would have burned out. I stood there a minute, looking down, feeling the snow piling up on my hair, and actually considered just driving off. The son of a bitch had damn near killed us both, and it would serve him right.

Then I got my flashlight from under the seat, hitched my coat up around my ears and started down. The slope was slick, and if it hadn’t been covered with sagebrush I could hang onto, I’d have started sliding and never stopped until I bounced off the car. It was wedged into the narrow bottom of the gully, belly up like some beetle. I could see fluid trickling out of the gas tank so I pushed my cigarette into the snow and slid down toward the driver’s side.

The window was either down or smashed, because the first thing I saw was a bleeding snowdrift. I brushed the soggy stuff away from his head, but I saw pretty quick there wasn’t much sense in it. His forehead looked like a couple of pounds of hamburger, and the steering column was driven about half through his chest. A little blood was still running out, but it looked like it had flooded out at first, like his heart had been punctured.

I couldn’t see past him, so I scraped snow away from the back windows and shone the flashlight in. I could see about a five year supply of beer cans, but no bodies.

I struggled around to the passenger side, stopping once for breath and to look up at my pickup. It seemed as far away as the moon, and the blinking lights were faint through the snow. I couldn’t believe I’d come down that steep slope without breaking my neck, and I had no idea how I was ever going to get up it. Maybe the crazy bastard would end up killing me anyway, if I froze to death down here. The way that gas was trickling, though, I could always toss a match in it and warm myself up that way.

The woman was lying with her head out the window on the passenger side, her shoulders in the snow. She looked peaceful, her arms over her head the way some people sleep. I brushed the snow off her face and she opened her eyes. They were a deep, dark blue for a minute before she blinked and I moved the light.

“Gary?” she said in a kind of gasp.

“Take it easy,” I said, wondering what the hell that was supposed to mean. What else could she do? “I’ll get you out of here in a minute.”

I shone the light down her body. She was lying across the window sill, and the top of the car was crushed down against her just below her breasts. I leaned back and shone the light through the back window. The roof of the car was tight against her upper body all the way past her hips. Dark blood ran slowly from her chest down over her body. One leg went off at an angle, and blood was dripping there too.

I squatted in the snow and thought it over. Even if I got her out alive, I couldn’t see how I could get her back up that damn hill without killing her. “Gary? You got a cigarette?” she murmured.

“I’m not Gary. You’ve been in a wreck; I’m going to try to help.” I patted her shoulder without really thinking about it.

Maybe I ought to leave her right as she was and go for help. There was no telling how long it might be before someone came along the road, and even if they did, they might think I’d just stopped the truck to take a leak or puke. And even if they didn’t think that, how many people these days stopped to help?

“Don’t leave me!” It was like she’d been reading my mind. Her hand caught mine, and held on tight. “Give me a cigarette, will you?”

“I’m not sure that’s a good idea. There’s gas leaking out of that tank; we might blow ourselves up.” But I wanted one too.

It seemed to me I could hear the snow plopping heavier on the upturned belly of the car now. Christ! What was I going to do?

“My coat’s in the back seat,” she said. “There’s cigarettes in the pocket.”

I shone the light in the hole where the back window had been, and saw a bundle of wool. I brushed snow off a rock and set the light so it shone over us, making a little pool of brightness. When I’d wrapped the coat around her upper body and tucked it under her shoulders she smiled, and I realized she wasn’t just a kid, like I’d thought. She was maybe thirty, or even a well‑preserved forty. Her wrinkles were the kind that come from smiling, and her smile was enough to melt ice. She was lovely, but I couldn’t look at her face without seeing the blood dripping in the darkness of the car.

“Gary’s dead, isn’t he?” She said it so quietly, so sensibly, that I nodded before I thought.

She sighed. “I should have left him a long time ago. I kept thinking things would get better, thinking he really would quit drinking and . . .  You ever do that? Just keep hanging onto people even though you know you’d be better off without them?”

“No.” I shook my head, and then decided she needed more than that. “I did it the other way. Never held onto any of them long enough to think about losing them.”

“That’s too bad.” She looked really concerned about it. “Listen, I can’t feel my legs. It’s pretty bad, isn’t it?”

I didn’t know what to say. She moved her arm out from under the coat and reached up and squeezed my hand as if to comfort me.

“Yeah, it’s pretty bad. But someone will come along soon, and we’ll get you out of this. It’s probably not as bad as it looks.” As I said it, I realized she was breathing like someone who has asthma, in uneven gasps. Maybe a rib had punctured a lung.

She moved her head a little, looking up the slope behind me. “I kept telling the son of a bitch to slow down. You came down that? Listen, why don’t you just light me a cigarette and then go on back up there and go for help. I’d about as soon blow up as lay here any longer.”

She gasped then, a low, ragged sound, and her hand tightened on mine. “Please.” I could see drops of sweat on her forehead. “Please give me a cigarette.” It was a whisper.

I stepped away from the wreck a little, cupped my hands and lit one, and put it between her lips. She inhaled deeply, and then let the smoke trickle out the side of her mouth. She coughed a little the next time she inhaled, and reached for my hand again. I took a drag on the cigarette; I could have lit another one‑‑ two was no more dangerous than one‑‑ but it seemed right to share it, almost as if we were in bed.

“Isn’t this ridiculous?” she said, a little louder. “I always figured the cigarettes would kill me, but I guess not. I ought to be able to quit when I’m ten minutes from dying anyway.”

“You’re not going to die. Look, I’d better get going.” I stood up. “I’ll leave the flashlight here, and I’ll be back before you finish the cigarette.”

“Wait. Please. Just another minute or two.” She spoke rapidly, rattling out as much as she could between those harsh gasps. “Tell me your name. I’m Sally, Sally Barker, only since I married him I guess I’m Sally Brooks. Please, tell them‑‑ you know that kid that rolled here last week and hurt that girl? He said he was forced off the road? They’re charging him with drunken driving, but it was Gary that did it. It was just like tonight. He was driving too fast, and drunk, and he came up fast behind the other car and blared his horn and the kid jerked the wheel and went off. Gary wouldn’t stop. Tell them, so the kid doesn’t get put in jail.” She was struggling to breathe, holding her hands against her side as if she could hold her lungs together. “Will you do that?”

“Yes. Yes, I’ll tell them, but you’ll be able to tell them when I get an ambulance here. I’m Joseph Brown; I live on a little ranch back in the woods about three miles. Look, I’d better go for help.”

I was turning away from the look on her face when I heard something from up on the highway. Somebody was parked behind my truck, and then I heard a shout.

“Down here!” I bellowed, using the voice I used for driving cows out of the trees. “Down here!” I grabbed the flashlight and pointed it at the other car and waved it around until I saw a man peering at me from the edge of the road. “Get an ambulance! Get help! A woman is pinned in the car.”

Moon Meadows Embankment 2015--2-28 - CopyHe waved, then yelled back, “I’ve got a CB; I’ll call it in.” I flashed the light at him, then squatted back down by Sally.

“There!” I said cheerfully. “Won’t be long now.”

Sally smiled weakly up at me, and made a little motion with her arm. Her eyes got wide, and she turned her head a fraction and spit the cigarette into the snow. “I can’t…I can’t move my arm. Oh Joseph, I’m scared.”

I took her hand and began to rub her arms, thinking if she was just cold I could get the blood running again. “Probably just chilly from the damn snow,” I muttered, showing my teeth in what I hoped looked like a smile.

“Tell me something warm,” she begged, and the blue of her eyes seemed to start blood circulating in a part of my mind that had been cold and paralyzed for a long time.

“Like what?” All I could think of was the warm blood flowing out of her in the darkness of the car, and the still warm body of her husband beside her.

“Do you have a fireplace in your cabin?”

I shook my head. “Wood stove. Fireplace makes the corners chilly, because the heat’s all sucked up through the chimney all the time. But in my place you can curl up on the couch in the living room, and open the fire door, and stare into the fire and be cozy. Lots of times I sleep in there instead of in the bedroom.”

“Ever been married?” Her face was pale in the light, and her breath whistled in her throat.

“No. Probably should have been, but I . . . well, I guess I was afraid of what it would turn into.”

She tried to chuckle and choked, and I saw sweat break out on her forehead. “Tell me about your place. Do you have cows?”

“Yeah. Only about fifteen, and a couple old horses that are retired. I used to manage a place for a rancher up north, and bought this place by doing that and working construction. Then when I figured I had enough money to get by on, I moved down here and built the cabin. I still manage construction jobs once in awhile, if it’s working for somebody I like. The rest of the time I work in the garden, or the woods, or travel.”

I glanced up toward the road, hoping to see somebody, and saw only the lights of the town reflecting off the clouds. Down there people were laughing and drinking and having a good time; it seemed unfair she should be lying here dying, and I should be crouched in the snow trying to figure out what to say to her.

“Chickens?”

“Old red hens; they lay brown eggs with yolks so yellow some people think I dye them.”

“Our chickens did that, on the farm when I was little. I like chickens.” She gasped a little chuckle again, and clucked once or twice. “I used to talk to them. I had one that would let me scratch her back. She’d squat down in the dust and close her eyes.”

“I’ll tell you what we’ll do in April, Sally Barker. You’ll come out to my house. I’ll make coffee‑‑”

“How do you make it?” she said sleepily, like a small child.

“I get a pot of water boiling, then put a handful of coffee in it. When it’ll float a horseshoe, I throw in some cold water and a couple of eggshells.”

“Good. That’s how my dad made it.” Her eyes closed. “Tell me the rest.”

Somewhere in the distance, I thought I heard a siren.

“Everyone who comes by for coffee with me has his own cup, so you’ll have to have one. I think yours should have blue flowers on it, to match your eyes. I’ll get it down off the rack and take the cups and the coffee out on the porch, and we’ll drink coffee. The yellow roses around the porch should be blooming then, and the baby rabbits will be under them, eating the weeds. The birds will be at the feeder, and if you don’t know them, I’ll tell you which ones are which. And maybe the mother turkey will bring her babies by for a drink; I made a little concrete basin for her. We’ll listen to the birds and drink coffee.”

The siren was definitely getting closer. “Will it be very warm?” she asked.

“Very warm, but if we get too warm we can go to the part of the porch with the roof, or take a walk through the trees. I cleared a spot down in there and planted raspberry bushes, and we can stand by the bushes and eat raspberries.”

“I’ll bring a cake. I make very good chocolate cake.” She sighed. “Joseph. What a nice name. Thank you, Joseph.” Her hand quivered in mine as though she was trying to squeeze and couldn’t, and I squeezed hers. On the road, I heard shouts, and saw more red lights flashing.

“They’re coming now, Sally. Everything’s going to be all right.”

“Yes, Joseph,” she said dreamily. “Will you come see me in the morning?”

“In the morning.”

“Quick,” she murmured, “tell me some more. Will you put on some music inside so we can hear it through the windows?”

“I’ll put on Elvis Presley‑‑ or are you too young for him?”

“‘I Did It My Way,'” she said. “‘Heartbreak Hotel,’ ‘Jailhouse Rock’ ‘Are You Lonesome Tonight?’ Do you have any Judy Garland?”

“Sure.”

“Play the one from the Wizard of Oz for me, would you? ‘Birds fly over the rainbow, why then, oh why can’t I?'”

I held her hand until the ambulance men, cursing and staggering, got to us, with two silent firemen who moved efficiently up to the car. I gently put her hand back on her chest. Her eyes were closed, and she was smiling.

I turned away, and walked down the gully a few steps, but I still heard her scream when they lifted the roof of the car. When I turned back, the two men were strap­ping her to the stretcher, and the firemen were by the other window. The stretcher men started back up walking, but they kept slipping, and the stretcher would clang against a rock; I could hear them swear under their breath, but Sally never made a sound. After a minute or two, one of them went ahead and started towing the stretcher like a sled while the other one stayed behind to guide it. They’d only gone a few feet before the snow hid them. I started back up the hill.

By the time I got to the top, of course, they were already gone. A policeman asked if I wanted to go to the hospital, but I shook my head and told him about the wreck, and what Sally had said about the one the week before. I felt as if I’d been cold for a long time. He said he’d make sure the word got to the right place.

*    *    *

A month later I sat on my porch in the warm sun and watched the rabbits and the baby turkeys and the old red hens. I had coffee, but it was pretty well flavored with whiskey. I told Sally the names of all the birds, and sang “I Did It My Way” along with Elvis.

#  #  #

(c)  2015  Linda M. Hasselstrom

Moon Meadows Ravine 2015--2-28

Writing: Where I’ve Been

A New Series of Unpublished or Published-but-Uncollected Work

LMHjournals22013
Some of my journals from years past.

My current project is writing a diary of a year on this ranch nearly 30 years after my first book, which is a diary of a year on this ranch. In this new work, I’ve necessarily looked back at journals I kept, letters and journals from my relatives and others who lived in this area, and at writing I did during that time, when I was searching for my writing voice.

Much has changed. I’ve worked as a journalist and a college professor. I’ve been divorced and widowed. I’ve settled down in several places for several reasons.

But always, I was writing. Much of what I wrote during the past will remain private, though— following my own advice— I rarely discard a draft because I never know what insight or information it might contain that will be of value to me now.

But re-reading some of what I wrote in past years has been useful for me, not only in matters of insight, but in matters of writing style. I can see things I would write differently today, but I have also discovered writing I consider good that has had few or no other readers. Technically, these are either unpublished works, or published and uncollected, meaning they have not appeared in a book.

Who knows when, where, how or even if I might publish another book that will enable me to collect past writing? My book Between Grass and Sky was a wonderful gift of that nature from the University of Nevada Press but the world of publishing has changed as well; I may not get so lucky again.  Besides, publishing a book means promoting a book and these days I enjoy making sales pitches less and less.

So I’ve decided to self-publish some writing via this blog. The writing that will appear in the category “Writing: Where I’ve Been” is a mixture of styles, written as I was searching for the narrative voice that most nearly suited me and the material that has become most important to me. Each piece is annotated with background information. Some stories were intended to be read as fiction though they were substantially true; in those instances I have explained what is fact and what is fiction. Some of these pieces were published in slightly different forms; I have noted any previous publication.

Each of these writings was part of a thought process that resulted in other writing; readers may see the roots of ideas that appeared in later work.

I invite writers and aspiring writers to read these texts as part of your study of how writing develops. Remember, I think revision is the second most important part of writing (after thinking), so you might consider how you would revise and improve a particular story. Be inspired; be amazed; be annoyed! You might even comment, and I may— or may not— respond.

No matter what your response, I’ve posted these especially for writers in the hope they will help you to keep writing until you find the style and voice that particularly suits you. Then write your life with the variety and enthusiasm with which I continue to write my own.

#  #  #

Linda M. Hasselstrom
Windbreak House
Hermosa, South Dakota

The first story in this series will be posted on March 6th.