Plowprint Report: Only half of the Great Plains grasslands remains intact.

Ranch stock dam in a wet year June 2015

This blog is more political than what I usually post, but I am horrified by what I read in the Plowprint Report. In the second half of my blog I list some positive steps being taken to reverse the decline of grasslands, and how you can help.


The Great Plains Native Plant Society newsletter for Spring 2018 contains a summary of the World Wildlife Fund’s 2017 Plowprint Report– a survey of what’s happening to grasslands in the world.

Temperate grassland ecosystems– like we have in western South Dakota– are among the world’s least protected biomes. Worldwide, this habitat is being lost at a terrifying rate because of the production of food and fuel for the growing human population. As grasslands decline we lose the services grasslands provide, from carbon sequestration to water infiltration.

Corn and soy have driven out the majority of the tallgrass prairie in the eastern Great Plains.

Since 2009, nearly 8% of the landscape in the Great Plains has been plowed for crops, leaving about 54% of the grassland intact.

In 2015-2016 alone, 2.5 MILLION acres of Great Plains grasslands were lost to crop production. Keeping these grasslands intact could have saved 1.7 TRILLION gallons of water, or about 4% of the total flow volume of the Missouri River Basin, or ¼ the volume of Utah’s Great Salt Lake.

Instead, this water– enough for 11.6 million 4-person homes’ annual use– washed the equivalent of the weight of 127 Empire State buildings, or 46 MILLION TONS of sediment and fertilizer into rivers, lakes, streams, and ultimately the Gulf of Mexico.

Birds fly awayAs grasslands go, so go the birds. At least 6 songbird species that are ONLY found in the Great Plains are in serious danger of disappearing. Many bird populations in the plains have declined 65-94% since the 1960s.

Intact grasslands hold thousands of years’ worth of organic matter that gives the land its ability to store and filter water, stabilize soil, sequester carbon and support diverse life above and below ground. We cannot easily, if at all, recover the losses.

Visit the World Wildlife Fund’s website for more information and to read the entire Plowprint Report, with maps and photos.

Now for the good news.

You can help support the World Wildlife Fund and other conservation groups (such as The Nature Conservancy, and Quivira Coalition, and many others) that are trying to reverse the grasslands destruction by

— Encouraging sustainable agricultural for producers, and encouraging responsible sourcing for companies that buy agricultural products.

— Lobbying for conservation programs to be included in the 2018 Farm Bill, such as:

  • Conservation Reserve Program (CRP) to help fund the retirement of marginal land to grassland for habitat and to build soils.
  • Regional Conservation Partnership Program (RCPP) to encourage conservation partnerships that are coordinated, leveraged and well-funded.
  • Environmental Quality Incentives Program (EQIP) and Conservation Stewardship Program (CSP) to provide assistance to landowners seeking to improve conservation outcomes on working lands.
  • Agricultural Conservation Easement Program (ACEP) to permanently protect grassland from development, subdivision and conversion.
  • A strong Sodsaver provision that eliminates insurance subsidies when native grasslands are plowed under to produce crops.
  • Enhanced Natural Resources and Conservation Service (NRCS) Technical Assistance funding so that farmers and ranchers are afforded the technical expertise necessary to access farm programs and improve conservation outcomes.
  • Funding for the Beginning Farmer and Rancher Development Program to assist ranching families with transitions to the next generation and to assist with bringing new ranchers into opportunities for mentoring.

— And educating people about the importance of grassland conservation and encouraging them to share their commitment to this with family and friends, as well as with companies that sell food and other agricultural products.

dont plow the rangeThe current farm bill expires in September 2018. The House and Senate Committees on Agriculture are discussing the 2018 Farm Bill right now. See https://agriculture.house.gov/ and https://www.agriculture.senate.gov/ for updates.

You can also call or email your Members of Congress to demand that conservation and sustainable agriculture programs be included in the 2018 Farm Bill.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2018, Linda M. Hasselstrom

#  #  #

 

Advertisements

A Steamy Experience

And I Recommend It!

Evans Plunge old advertWe recently spent a half day at Evans Plunge in Hot Springs, and I’m ready to go again. I’ll wear my bathing suit under sweatpants and sweatshirt so as soon as we’re admitted, we can head to the Men’s and Women’s changing rooms.

Furnished with curtained booths for undressing, the rooms have long benches near the lockers for those who are less modest. Another room has individual showers so you can clean up before or after your soak in the pool. Don’t expect a hot shower, however; the water that comes from the faucet is the same temperature as that in the pools. Toilets are also private and numerous.

The Lockers:

The locker system can be confusing, so bring a handful of quarters and read the instructions on the wall. Once the locker is closed and locked, you’ll need either a key or a quarter to open it again. I undress quickly, down to my swim suit, and stuff my socks, shoes, pants and sweatshirt into the locker. I gave up wearing sandals in the pool; they aren’t necessary, and you only have to keep track of them. I keep my towel, but put my glasses safely away with my box of quarters before locking the door. I pin the key to my swim suit and within minutes I’ve hung my towel on a convenient hook and am strolling along the side of the huge pool. Chairs along the sides and at both ends allow places to sit and observe the swimmers, or to dry out or rest.

The water:

Evans Plunge is fed by five thousand gallons of water per minute flowing from a spring at the north end of the pool. Mineral-laden natural springs are found in a wide region around the town, and the nearby Fall River is about the same temperature as the pool: 87 degrees.

Before you leap into the pool, however, think about that figure. The advertising mentions “the warm mineral waters,” but the average temperature of the human body is 98.2 degrees. We’ve stepped inside from a 20-degree, snow-covered landscape, so the water feels warm.

Evans Plunge The Whale Slide

The Big Pool:

In one corner is a slide shaped like the head of a frog with an open mouth that dribbles water and small children down the tongue and into a shallow pool under the watchful gazes of lifeguards and mothers. Opposite them are the “jet slide,” reaching nearly to the lofty roof, and the “whale slide.” Water runs through both as they twist and circle and gyrate before spilling their riders into the pool. This is the noisy end of the pool: children shriek in glee, and teenagers bellow and whoop as they fling themselves into the slides and explode out the other end. But the building is so immense and filled with echoes that the noise seldom seems intrusive; it washes over you as gently as the water ripples down those slides.

We stroll past a set of concrete steps leading down into the shimmering aqua water, admiring the colorful natural pebbles that create a floor. Gradually the water deepens to five feet as we approach the end reserved for lap swimmers, though if they are not present that part of the pool is open to everyone.

Families dominate at the shallow end as fathers and mothers mind multiple children, younger ones wearing water wings or life preservers. Some folks swim earnestly from one side of the pool to the other, clearly exercising. An older woman stands in five-foot-deep water, lifting arm weights. Two men with enormous bellies hanging over their tiny trunks stride by, exercising by walking around and around the pool between swimming and steaming.

Overhead, metal struts support a massive roof and windows that admit light even on cloudy days. Supplementary floodlights make sure no shadows lurk. On the walls, brightly-colored murals depict some of the history and beauty of the area, showing rock formations sculpted by this mineral-laden water throughout the valley.

Evans Plunge rings and mural

The Swing Rings:

Hanging from the ceiling are five rings about the size of a man’s head, dangling on long ropes perhaps five feet above the water’s surface. These provide a test of strength, agility and—what many of those who attempt the crossing don’t realize—timing. From one side of the pool you can grab one ring, swing to the next, catch it, and swing to the next. If you are successful, you can cross the pool without getting wet.  I once saw a supremely confident young man kick off his shoes and cross fully clothed without getting a droplet of water on him. This is not what happens to most who try, however.

Arm strength is important, as is a firm grip. Once you’ve caught the first ring, likely slippery and wet from the last user, you need to swing vigorously to reach the next ring, and the next. Most of those who try SPLASH down below the second ring.

Timing is more important than strength. Once the rings are moving because someone has crossed, it’s possible to catch the first ring and swing out at the precise time that the second ring reaches the point closest to the first ring, so the swinger doesn’t have to reach as far. Most times, however, the potential swinger reaches the most distant point of the first ring just as just as the second ring swings away from them. SPLASH! Some of them get it immediately. They go back to the edge, catch the first ring, and take time to watch how the second one swings. If they choose correctly, they arrive at each successive ring just as it reaches its closest point to the desperately swinging figure.

No one laughs—except the hapless swinger’s friends if they are in a jolly mood—when someone hits the water. Some manage to drop in feet first, but a fair number land on their faces with a mighty WHOOSH! Still, when someone swings across with grace and finesse, many people applaud.

The Hot Tubs, Steam Room and Sauna:

At one end of the pool, behind a gate which can be fastened shut (probably to deter small children) are the main reasons I like to visit the Plunge: two hot tubs, a steam room, and a sauna.

The hot tubs sit on raised platforms. On the wall near each is a button that will turn on a whirlpool effect which lasts for the 15 minutes or so that one should spend in each of these hotter atmospheres. Each hot tub is about the size of those sold for home use, with contoured seats, so they will comfortably seat four or five people. Lighting in this area is bright, but the two remaining rooms are deliberately kept nearly dark, presumably for the relaxing effect.

Down the hall are the doors opening into the steam room and sauna. Both rooms are small. The sauna has two levels of slatted benches, the lower slightly cooler, as well as a shower in the corner so occupants can cool off right in the room.

The steam room has a single bench along three of its four walls, facing a vent from which steam issues constantly. The floor is crusted unevenly with the minerals in the water.

On our most recent visit, I entered the steam room and was nearly blinded by the rolling steam. Gingerly, I stepped forward until I could see a spot to sit on the bench beside two burly men. Both nodded and shifted a little to show me I had room to sit. Before long, three more men entered; none of them weighed less than three hundred pounds. We were packed in there like sardines, thigh to sweaty thigh, but I never felt threatened. The conversation was of football, with nothing that could offend the ears of a female of any age.

Evans Plunge seniors

Plunge Proprieties

And my experience, I think, demonstrates one of the most important elements of a visit to The Plunge: the atmosphere. Truly enjoying the experience requires more than a swimsuit. This is a family-oriented experience, and much of the enjoyable mood depends upon mutual respect for other visitors. Many of the customers are elderly, so large men with bellies hanging precariously over their tiny little trunks stroll the perimeter of the pool and gasp in the steam room. White-haired women with tightly curled hairdos tip-toe carefully down the concrete steps into the shallow end. The day we were there, most of the customers were long out of their teen years, and everyone behaved with respect and decorum. Perhaps the two lifeguards continually patrolling the pool’s edges suggest not only a safe place, but one that is comfortable for everyone.

Sometimes, however, folks who are new to the experience fail to understand the etiquette. Here’s an example: Once when Jerry and I were the only two people in the steam room, two teen-age girls came to the door, opened it, and stood there giggling and debating whether to go inside. The steam we had been enjoying rolled out the door, while they obliviously ruined our experience. We didn’t explain, and they didn’t understand how rude they were being. Eventually, they shut the door and went away. We sighed and waited for the steam to build up.

Then they came back: with a half-dozen giggling friends. They made quite a production out of peering into the dark, twittering, shrieking, and grabbing one another—again letting out most of the steam before they found places to sit. We knew they wouldn’t stay long, so we headed for the pool to cool off.

After we spend a quarter hour or so in the steam room or sauna, we head down the concrete steps into the big pool and gasp when the waves strike. Still, the point is to cool down so we can go back to the heat, so while Jerry swims from one side to the other, I lie back and immerse myself, enjoying the feel of the smooth stones under my feet. I learned to swim once, when I was about ten, but I’m not good at it, and fortunately at The Plunge, I don’t have to be.

Evans Plunge exterior in early days

History:

The Evans Plunge is probably the oldest tourist attraction in the Black Hills, originally built in 1890, but the modernized facility is sparkling with light, bright tiles, and smooth natural pebbles. According to ultimatewaterpark.com, it remains the world’s largest warm water indoor swimming pool and waterpark.

Evans Plunge around 1891

The park is owned and operated by the City, and open year round (with some specific exceptions) at 1145 N. River Street in Hot Springs, an hour south of Rapid City. General admission for a day is $14, but various rates apply for seniors, for long-term admission, and other possibilities allowing a cheaper experience.

Those exceptions: the Plunge is usually closed for a week or so in February for cleaning, and is not open on Tuesdays. Otherwise, the hours are generous, winter and summer. Call 605-745-5165 for details, or look at www.evansplunge.com.

Besides the pool, the building houses a weight room with every kind of exercise machine I’ve ever seen, and a few more, as well as a cardio room and a spinning room, with spinning classes on particular days. You can enjoy water basketball and volleyball, water aerobics, and “Boot Camp” water aerobics from September to May, as well as arthritic water aerobics. Besides all this, the website indicates Open Golf, with a net set up to catch the balls during cold weather. And there’s talk of introducing yoga classes!

Evans Plunge outside poolIn warm weather, the outdoor pool is also open, featuring another slide. Food and beverages are available, as is a gift shop, and no doubt the place bubbles with happy tourists.

We probably won’t be going to the Plunge much after the weather warms up. But while the temperature drops to the teens or twenties every night, I’ll keep my Plunge tote packed with towels, swim suit, and quarters for the lockers.

Oh yes: underwear, so I don’t have to wear the wet suit home.

With our day pass, we’ll likely spend several mornings steaming and enjoying the sauna, have lunch, and then debate whether to go again before we head home. Last time the desire for naps won out, but maybe we can stay awake longer next time.

Maybe I’ll see you there!

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2018, Linda M. Hasselstrom

#  #  #

 

The Skunk Minuet

Skunks are always around on the prairie, but with luck we hardly know it because they pursue their diet of insects, worms rodents, lizards, frogs, snakes, birds, eggs, moles berries, roots, leaves and grasses without disturbing us.

Our current resident skunk is properly polite, as befits a wild denizen of the plains. We’ve seen signs of occupancy in disused badger holes on the outskirts of our hill but the Striped Stinker has never forced a confrontation with the dogs. Most importantly, the Odiferous One has not come into the dog pen, nor established a burrow under the porch or garage, as the breed likes to do.

At the New Year, however, we discarded a few crab legs in the compost bin, a tall plastic affair backed into the railroad tie fence near the house. That night, the Deft Digger burrowed under the plastic framework of the bin, into the compost, and straight through to the top, gobbling crab legs all the way. Rummaging for more, the skunk shoved most of the compost into scattered piles around the compost bin.

A few nights later we set the game camera and captured the Skunk Minuet. Sharp-eyed viewers may also spot a mouse that was benefitting from our discarded scraps as well (in the last photo). Scroll through the pictures quickly and the Smelly one appears to be dancing.

 

 

 

Meanwhile, Jerry put the compost back, filled in the hole, and piled rocks in front of the bin.

That night, Sir– or Mistress– Skunk dug in through the back of the bin, and scattered compost. Now our compost bin is solidly ringed and braced with rocks on all sides.

Will this stop the Furry Fury? We hope so. But we’re setting the camera to keep track of the next round in the dance.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2018, Linda M. Hasselstrom

#  #  #

 

 

 

 

 

O Holy Night on the Prairie

Winter grass and rocks

Folks who are used to bustling, fur-wrapped shoppers and greenery hung with lights would see the wide prairie that stretches in front of me as a bleak place to spend Christmas. The grass is a mountain lion pelt– not one color, but gold, fawn, red, brown, and colors for which no name exists– blended into each other over the rolling hills. A few limestone outcroppings studded with pale green lichen, and a scatter of white and granite-gray boulders decorate the scene; there are no trees, no green, cone-shaped evergreens that mean Christmas to many. In the deeper gullies, an occasional bare cottonwood shows a white, lightning-stripped trunk against the grass; buffalo berry and plum bushes stand naked in narrow crevices beside ground-hugging juniper bushes blending green and bronze.

In the eastern distance are the Badlands, pink, gray and blue spires a finger’s width above the horizon, made higher this morning by mirage which is rapidly spreading, to disappear as the sun comes up dull gold. To the west rise the Black Hills, a handsbreadth of tree-covered hills, rising in five distinct ranges and glowing blue in the morning light.

Here, while Christmas songs play on the pickup radio, I see nothing at all to remind me of the season. The grass is short, because we graze these distant pastures in summer, and bring the cattle closer to home in winter. I am making a last survey, picking up salt blocks and fence panels, to be sure gates are closed against the neighbor’s buffalo. When I turn homeward today, I will be shutting the door on this part of the ranch until spring, when we’ll bring cows and young calves here to graze through the summer.

Winter antelopeA coyote slips down a draw, glancing back over his shoulder. Except for his quick movement, a flash of white at his throat and a nearly-black ridge on his spine and tail, he would be invisible against the grass. My eye catches movement again, and I turn to see thirty antelope run over a hill, white rump-patches flashing. One pauses, silhouetted against the sun.

The gray limestone of Silas Lester’s house has descended a little more toward the ground this year; the blank windows look like half-shut eyes. The house was never finished; dry years came, and Silas sold his land for two dollars an acre to my grandfather, who took the risk and stayed. The spring Silas found and enlarged still runs gently from the hillside, into a tank George and I dug into the hillside and covered with wood chips to keep the water from freezing. I open the gate to it, so the wild animals can safely drink, and leave a few chips of salt nearby; a really thrifty rancher would take them home to the calves, but I like to think of the antelope and smaller creatures– porcupines, skunks, mice– enjoying the rare treat of salt this winter.

Another year has passed. Some years George and I made this final trip in deep snow, laughing as the pickup plunged into a drift, apprehensive when it dropped too deep and the tires spun. We’ve shared picnics here under the talking leaves of the cottonwoods in summer, shoveled together when the pickup was stuck in winter. Feeling a little foolish, we shut off the motor and observed a worldwide moment of silence in honor of John Lennon a few years ago, then sang his songs on the way home, and didn’t feel foolish at all.

The chores we did together I now do alone. The Christmas songs on the radio mean the solstice is near, when the days will almost imperceptibly begin to lengthen. Now the sun has risen far south; it will make a shallow arc in the southern sky all day, and the moon will shine in the south windows of the bedroom tonight.

Winter Sunrise from Windbreak House 2014

We started a tradition a few years ago, when Michael came in a dry summer with a trunkload of fireworks; it was too dry to shoot them then, so we saved them for his winter visit, and fired them on New Year’s Eve. Last year, I did it alone; this year, I may invite friends to share the ritual. On Christmas Eve I will join my cousin and his wife and their children, one my godson, in church. I attended the same church when I was five years old, and my mother sang in the choir. It’s famous for its massive organ, and as the tones swell into the familiar “Oh Come, All Ye Faithful,” I– who have been anything but a faithful churchgoer– will find myself in tears. The organ tones express to me the largeness of the land, rising over the small minds and bodies of the people who live upon it.

Slowly, as Christmas passes, snow falls, grouse mate with bell-like calls in the winter night stillness, the days will grow warmer, and spring will come. If we get spring rains– which have not come for three years– the tawny grass will show a hint of green at the roots in April and by June the hills will be rich with new life.

“I believe in the Israelite,” sings a low voice on the radio, backed by the sound of bells, and I wonder. Surely no one who sees the seasons turn as I do, who observes the prairie’s stillness in this season of rest, and the inevitable coming of spring life, summer’s lushness, the harvests of fall, and the chill of winter again and again, can fail to believe that all is arranged as it should be. That no matter how great are our personal sorrows, the world is proceeding in an orderly fashion. That we are all part of a great cycle, and our job is to help the earth in its turning, to keep it pure and beautiful and clean for those who will surely come after us.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2017, Linda M. Hasselstrom

#  #  #

Land Circle: Writings Collected from the Land  was published in 1991 by Fulcrum Publishing, Golden, Colorado.

This essay, O Holy Night on the Prairie, appears on pages 171-173 in the original edition, and on pages 191-194 in the Anniversary edition of 2008.

LC2Boots

 

Book Remarks: An Extraordinary Year of Ordinary Days — A conversation about writing and living on the land

The work of belonging to a place is never finished. There will always be more to know than any mind or lifetime can hold. But that is no argument against learning all one can.

—- Scott Russell Sanders, quoted in Susan Wittig Albert’s An Extraordinary Year of Ordinary Days

 

Wittig Albert Extraordinary YearI have– finally!– read Susan Wittig Albert’s An Extraordinary Year of Ordinary Days, published in 2010.

Because Albert is one of my favorite writers of mysteries (China Bayles) and other intriguing books, I’m chagrined not to have discovered this one until I found it online in 2014.

On the other hand, I’m glad I didn’t read it when I bought it, or I might not have published my own most recent book, Gathering from the Grassland: A Plains Journal.

I began reading Albert’s book June 6 of this year. I stopped almost at once because my own book was already in production; I knew I’d be receiving page proofs soon. I could tell that Susan Albert’s journal and mine would have enough in common as to make me afraid I might unconsciously adopt—steal—some of her ideas as I proofread my own work. When I had earlier asked Susan to write a back-cover comment for my book, I had no idea that its structure, a year’s diary, paralleled that of her book.

sagging fences untidy woods

Susan’s own words in her diary are always enlightening. “But there’s a blessing in inhabiting a place for a long time,” she writes, adding that her years as part of a tenant farming family in eastern Illinois “fed my life for country, for the everyday world of overworked fields and sagging fences, untidy woods, winter pastures. Nothing special, nothing extraordinary, not even (to most people, anyway) very beautiful. . . . Unkempt fields, tangled woods: my history. Home.”

This, to me, is the strongest statement of her book and of my own: that for most of us, wherever we are is home if we accept it as such, and consent to understand and enhance our relationship to the place.

No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it.

—- Wendell Berry, quoted in An Extraordinary Year of Ordinary Days

Writing of her relationship to home, Albert provides a reading list for the responsible writer. Each person in the United States, she learns, is responsible for around 21 tons of CO2 emissions per year, according to the United Nations Human Development Reports.

Global warming is one of those things, not like an earthquake where there’s a big bang and you say, “oh my God, this has hit us.” It creeps up on you. Half a degree temperature difference from one year to the next, a little bit of rise of the ocean, a little bit of melting of the glaciers, and then all of a sudden it is too late to do something about it.

—- Arnold Schwarzenegger, quoted in An Extraordinary Year of Ordinary Days

Shocked, she assesses the usage attributable to herself and her husband. They drive fuel-efficient vehicles fewer miles annually than most families, and wouldn’t consider replacing then until they’ve gone 200,000 miles. “We repair, repurpose, reuse, recycle,” take short showers, use compact fluorescents, noting that if everyone replaced just three regular lightbulbs, we could keep a trillion pounds of CO2 out of the atmosphere.

We’re all connected and nobody is in charge.

—- Thomas Friedman, quoted in An Extraordinary Year of Ordinary Days

 

Wittig Albert Extrordinary Year page

Besides her own observations, Susan Albert has generously added to the outer third of each page quotations from other writers that address her theme of ordinary days. Thus not only does she provide the reader with a broad spectrum of observations, she brings attention to writers the reader may have missed. Some of the writers and comments were ones that appear in my own quotations files, but in my highlighting, underlining and copying, I added at least a dozen titles of books to my “must read” list.

A bookstore is one of the only pieces of evidence we have that people are still thinking.

—- Jerry Seinfeld, quoted in An Extraordinary Year of Ordinary Days

Moreover, throughout the book, Albert weaves her own and others’ advice about writing, both directly and by inference. As she is writing this diary, uncertain whether or not it will become a book, she is proofreading another of her books I have not yet read, Together, Alone: A Memoir of Marriage and Place. Her discipline and ability to focus provides a strong lesson for any aspiring writer, or, indeed, any writer who considers herself a professional with nothing more to learn about the craft.

Reading this book, slowly, with my highlighter close by and my journal handy for writing my own reactions, I felt as if I were engaging in a long and glorious conversation with the writer as we nestled in comfortable chairs in front of a glowing fireplace.  I was delighted but not surprised to realize that many of the writers I admire have come to the same conclusions as we reach similar ages.

It just may be that the most radical act we can commit is to stay home. Otherwise, who will be there to chart the changes? Who will be able to tell us if the long-billed curlews have returned to the grassy vales of Promontory, Utah? Who will be there to utter the cry of loss when the salmon of the McKenzie River in Oregon are nowhere to be seen?

—- Terry Tempest Williams, quoted in An Extraordinary Year of Ordinary Days

If I am not here, on this small western grasslands ranch, who will know that I have not seen a long-billed curlew since the neighboring subdivisions started erecting so-called “security lights” that blare into the darkness and make it difficult to see the stars?

There is strength, freedom, sustainability, and pride in being a practiced dweller in your own surroundings, knowing what you know.

—- Gary Snyder, quoted in An Extraordinary Year of Ordinary Days

Get this book and read it; you can purchase the hardback book from the publisher, University of Texas Press, or find used copies online.

Gathering from the Grassland outsideOh yes, and get my book too, and enjoy the conversation. And don’t be surprised if you keep right on buying more books whose authors could join all of us in this vital discussion about the future of our world.

Gathering from the Grassland: A Plains Journal, is available in both paper and hardback– and though the book has only been out since September, used copies are available.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2017, Linda M. Hasselstrom

#  #  #

 

Those Thanksgiving Pie-Makers

A poem of thanksgiving, gratitude, and remembrance.

by Linda M. Hasselstrom

Linda pumpkin head

Those Thanksgiving Pie-Makers

All over America today, women search
for their grandmother’s pumpkin pie recipe.
Some rush to the store for condensed milk,
or whipping cream. Or stir up powdered milk
if they are poor, or on a diet,
or live too far from town.

In a Wisconsin farm house a red-haired woman
measures salt in a dented spoon.
In California, a thin girl stirs and puffs a cigarette,
puffs and stirs. In Wyoming,
I dust clove powder over my grandmother’s
green glass bowl and reach for the nutmeg grater.
In New Mexico, a brown-eyed woman
sprinkles cayenne. In Iowa, a man beats eggs,
recalling for his children how their mother looked.

Grandma always left me to measure
dry ingredients while she walked down
to her hen house. She came back holding four
warm brown eggs in her open hands
just as I licked brown sugar off my lips,
thinking she wouldn’t notice.

So today, twenty-five years after she died,
I lap brown sugar from a spoon just
so I’ll remember how she grinned at me.
While I stir, my oven beeps. Hers
was fired with wood she chopped. To test
the heat, she’d dip her fingers
in the water bucket she’d pumped full
that morning, flick spattering drops, and nod.

All over America, families are studying
gratitude. Some women slip
a pie into the oven, and hide
the cardboard box in the garbage.
Others light pumpkin-scented candles,
thankful anyway– though my grandmother
might not think they have good reason.

I crimp the rim of each pie crust
with three fingers, just the way
she taught me; make a salad
while the fragrance surges out
the open kitchen window. Next door,
perhaps the drug dealers open their eyes,
inhale, and almost remember.

Grandmother, may this pumpkin perfume
rise up to whatever heaven you inhabit,
sanctifying all my love and memories.
Listen: countless voices chant together
an infinity of thankful hymns.

# # #

© 2006, Linda M. Hasselstrom

— First published for Empty Bowls 2006, United Church of Christ, Brookings, S.D.

Dirt Songs: A Plains Duet, with Twyla M. Hansen
published 2011, The Backwaters Press, Omaha, NE
50 poems by each author; find this poem on pages 98-99

This poem is copyrighted. Do not reprint without permission from the author.

Dirt Songs with autumn leaves

Gathering “Gathering from the Grassland”

gathering-stacks-to-sign-2017.jpg

Gathering from the Grassland: A Plains Journal, is my most recent prose book. With publisher Nancy Curtis of High Plains Press in Glendo, WY, I’ve been working on it for several years.

In order for me to get copies of the book as soon as it was printed, we agreed to meet in Lusk, Wyoming, between our two ranches. We’d have lunch at The Pizza Place, and catch up on our personal and professional news. She’d hand over my author copies– 5 clothbound and 5 paperbound– and we’d discuss how we will each encourage sales of the book in the coming months. Many publishers, large and small, don’t do much promotion. High Plains Press supports its authors in dozens of ways, including buying lunch in Lusk– the New York City of our neighborhood.

LMH car detail 2017So “One Misty, Moisty Morning,” as Schooner Fare puts it, I loaded a handful of CDs, jugs of water, a rain coat and coffee. With Bob Seger, I declared at the top of my lungs that I was headed for “Katmandu;” If there’s a good song about driving to Lusk, I haven’t found it, but I won’t be surprised if this post generates suggestions.

When Jerry and I lived in Wyoming, I drove five and one-half hours from my ranch to Cheyenne regularly, but since we moved to my ranch home, my trips have been rare.  So I was delighted to hum a “Prairie Lullaby” (Stephanie Davis) as I headed “Beyond the Horizon” (Bob Dylan.) Since I’ve made this drive hundreds, if not thousands, of times, I knew I’d see familiar scenes, but would also surely see the unusual.  And the Wyoming breezes– “Four Strong Winds” from all four directions– would keep me alert.

CDs in car 2017We’ve had some frequent, though small, rains around home, so our hills are fairly green for this late in the season, though not nearly as vivid as those “Green Rolling Hills” Emmylou Harris was singing about. “Under a Rolling Sky,” (Michael Martin Murphey) the sun blazed red, stained by the smoke of fires in Montana and other areas west of us. Thick gray smoke muffled the outlines of the Black Hills and cast a nasty yellow tinge over the grass. I hummed with the “Rollin’ and Tumblin’” (Bob Dylan) clouds as I turned west on SD 18, and zipped past Hot Springs. I soared up to Coffee Flats while Janis Joplin crooned about “Summertime.”

And there I got a surprise: two bicyclists! Each wore a helmet, and a skintight outfit striped in bright colors; their panniers bulged. Heads down, oblivious to the “Thunder on the Mountain,” (Dylan) they were headed west.

Just how much did they know about the arid country ahead of them? From Edgemont, it’s almost sixty miles to Newcastle, and almost seventy to Lusk, WY. There are no towns or settlements along the route, and most of the ranch houses are a considerable distance from the highway. At Mule Creek Junction, 21 miles west of Edgemont, a rest area offers water and “rest,” but little else.

Wyoming Highway near Lusk stock footage

As I accelerated past them– not in the “Mercedes Benz” Janis was warbling about– I tried to visualize what the bicyclists might be seeing. That “Peaceful Country” (Murphey) looks spectacular from that high plateau: down toward the tree-lined Cheyenne River and Beaver Creek drainages. Silver-blue sage sweeps up the hills, and many of the gullies are jagged and deep. With their heads down, would the riders see anything but their feet and the pavement?

When I drove this route nine years ago, I often thought of Murphey’s “Hardscrabble Creek” as my eyes followed ranch roads winding from the highway into the distance beyond the sagebrush. Often a beat-up car or pickup was parked beside the gate. I knew if I got into that vehicle, I’d find the keys under the floor mat or behind the visor, where ranchers always leave them. The transportation wasn’t abandoned, but meant the family had a child of school age who drove to the highway to be picked up by the school bus headed for Newcastle or Lusk. Is the ranching population aging? I saw few vehicles beside the ranch roads on this trip.

LMH autographs GATHERING 2017In Lusk, I parked on the wide street in front of The Pizza Place, and chose a booth that allowed me to see the front door while I wrote in my journal. When Nancy arrived, we enjoyed our visit and our pizza, noticing as the place filled with folks headed to a local funeral, or just having lunch in their work day. Then we explained to one of the waitresses that we’d like to keep using the booth awhile to sign books. “No problem,” she said, and we started lugging boxes of books in from the car. Once in a while after that, a waitress would peek around the corner, but they left us alone for more than an hour as I signed books, and smiled when we refilled our water and tea glasses.

After I’d signed books Nancy will have on hand for customers who ask, we transferred the boxes of books I’d bought at my author discount to my car, so I could head home and begin selling them. One of the most pleasant features of Lusk is those wide streets: two women with boxes of books could move safely from one car to the one behind it without being run over by a semi-load of hay.

Periwinkle Patent Leather Clogs“I love your purple Crocs!” I said to Nancy. “I had to give mine up for tougher shoes.”

“Everyone says that,” she said firmly, “but I am not wearing Crocs. I am wearing Periwinkle Patent Leather clogs.” Publishers have to be precise.

Independent authors and publishers need to “Try Just a Little Bit Harder,” and I promised to do so as I sang along with Joplin’s throaty vocals, accelerating out of town.

Rumblestrips stock footageWyoming highway officials, among whom Jerry used to be numbered, know the hazards of this two-lane highway that winds through the sagebrush. They’ve thoughtfully placed rumble strips—corrugated asphalt that make a terrible racket when your tires hit it–on both edges of the highway, AND in the middle. The purpose is to wake up dozing drivers, or perhaps alert those who are texting.

I noticed them first when they were applied to Highway 79 that goes past my house. Before sunrise, when I’m still trying to sleep, a truck hitting the rumble strips sounds like a helicopter landing on my bed.

Rumble strips and cattle or sheep that climb through fences to graze the right-of-way aren’t all that keeps a person alert on this highway. I heard a Whoosh! as another “Greenie”—Wyoming slang for speeding Colorado cars with green license plates–raced past in a no-passing zone.

I slammed on the brakes to let the idiot pull in front of me seconds before he would have been obliterated by an oncoming truck. I was angry, but I put on my “Secret Smile,” (Murphey) satisfied with being a life-saver. In the past, I may have exceeded speed limits occasionally, but no longer. I’d rather “Give A Little Bit Back” (Davis), relax, enjoy the scenery, and arrive safe and alive at home.

Linda M. Hasselstrom
Windbreak House Writing Retreats
Hermosa, South Dakota

© 2017, Linda M. Hasselstrom

#  #  #

Gathering Windbreak JournalMy first published book, in 1987, was a diary of a year on my plains ranch. Windbreak: A Woman Rancher on the Northern Plains was published by a small publisher, Barn Owl Books, and featured my observations of the work and life I was leading then. Over the years hundreds of readers wrote to me with thanks for letting them see ranch life.

Now, thirty years later I’ve published another book in journal form: Gathering from the Grassland: A Plains Journal (High Plains Press, September 2017). Much has changed in the intervening decades, especially because I am no longer involved in the daily chores of raising cattle. A central part of this journal is my research into the diaries and records left by my ancestors on this ranch on the plains. ​I learned things about my relatives, their history, and this land that I never knew.

I’m more convinced than ever that it’s essential for us to tell our stories, not only for our blood descendants, but for those who will come after us in this world. Write for your children and grandchildren so they will know how you survived this life, and write for yourself.

++–++–++–++

High Plains Press is offering a special limited-time discount for early orders. If you order directly from High Plains Press by September 20th, you’ll get a $5 discount on the limited edition hardcover.

trade paper — $19.95 plus $4 shipping
limited edition hardcover — $29.95 — Your price = $24.95 plus $4 shipping

Go to the High Plains Press webpage for my book Gathering from the Grassland

Special Offer Gathering from the GrasslandClick on the “order now” button for the limited edition hardcover.

Select how many copies you want. (Volume discount on shipping.)

Be sure to use the comment box if you would like a personalized inscription beyond my signature (for instance, “Happy Thanksgiving, Aunt Nellie”) in any of the copies you purchase.

Enter the voucher/coupon code LINDA.

Click on the “recalculate” button to update the amount due, then proceed with your payment.

(Sorry, there is no discount on the paperback edition at this time.)

Thank you and enjoy the read!

++–++–++–++